Category Archives: Historical Fiction

The Arrow Chest by Robert Parry

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  • Paperback: 342 pages
  • Publisher: Createspace (19 Jan 2011)
  • Language English
  • ISBN-10: 1456537164
  • ISBN-13: 978-1456537166
  • Source: Review copy from the author
When Robert Parry emailed me asking if I would like a copy of his book to review I accepted it, partly because it’s historical fiction, which I like, and partly because of its connection with Anne Boleyn and Henry VIII.

Here is the description from the back of the book:

London, 1876. The painter Amos Roselli is in love with his life-long friend and model, the beautiful Daphne – and she with him – until one day she is discovered by another man, a powerful and wealthy industrialist. What will happen when Daphne realises she has sacrificed her happiness to a loveless marriage? What will happen when the artist realises he has lost his most cherished source of inspiration? And how will they negotiate the ever-increasing frequency of strange and bizarre events that seem to be driving them inexorably towards self-destruction. Here, amid the extravagant Neo-Gothic culture of Victorian England, the iconic poem ‘The Lady of Shalott’ blends with mysterious and ghostly glimpses of Tudor history.
Romantic, atmospheric and deeply dark.

It begins with the discovery of the remains of a skeleton in an arrow chest in the Chapel of Saint Peter ad Vincula at the Tower of London. The head was separate from the rest of the skeleton and it is thought to be the remains of Anne Boleyn.  Amos is asked to sketch them before they are removed.From then onwards the story shifts to Amos and his love for Daphne, now married unhappily to Oliver Ramsey, Lord Bowlend, a wealthy industrialist. Oliver commissions Amos to paint first his portrait and then Daphne’s. This is when the parallels between Daphne and Anne Boleyn begin to surface – Oliver wants an heir and Daphne seems unable to supply one, he becomes increasingly overweight, domineering and a womaniser. Amos is in torment.

Then there is Beth, Amos’s young maid, who grows in both years and strength of character throughout the book. Amos becomes increasingly dependent on her in his daily life and they develop an unconventional (for the times) friendship.

The scene moves from London to the Isle of Wight, where the tension and drama steadily mount. I found this book in some respects to be frustrating, because it’s written in the present tense and I found it a bit distracting as the characters’ thoughts and emotions surfaced. And at times the writing is so full of description, which even though it’s beautifully done, slowed down the action for me, which is why I’ve rated it 3.5. But I loved it for its depiction of Victorian life and manners, its details of painting and poetry and its great sense of location and clearly defined characters. There is also a whiff of the supernatural. And there is a cameo part for Alfred, Lord Tennyson and his poem The Lady of Shalott, which I enjoyed. Here is Tennyson when he meets Amos, out walking on the downs:

… advancing towards him from a lane leading up through a fir copse in the lee of the hills, there comes a most peculiar-looking elderly gentleman. Dressed in a long cloak and with an improbably large broad-brimmed hat, like something one might behold on the London stage, he walks erratically with big, bold steps, his head bowed forward as if muttering to himself.

There is an irritable exchange when Amos explains he is not a tourist, but a painter  which ends abruptly:

‘Oh, a painter, eh!’ he exclaims, his eyes squinting somewhat as if struggling to see what exactly such a creature might look like. ‘Well, we’ve got far to many of those as it is, young man. Tourists, and painters and poets. Two-a-penny here. You’d do much better in Bath or Brighton or somewhere like that, and so Good Day to you, Sir!’ (page 110)

This is not a book to read quickly, but one to ponder taking in all the detail and maybe even, a book to re-read, now that I know the story, without feeling the need to rush through it.

As well as his website, Robert Parry also has a blog, Endymion at Night.

The Woman in White by Wilkie Collins: a Book Review

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I read The Woman in White (TWIW) by Wilkie Collins in January and have been wondering how to do justice to it in a post, because it’s a real chunkster of over 700 pages. (For a summary of the plot, with spoilers see the article on the book on Wikipedia.)

It’s one of the first if not the first ‘sensation novel‘. A ‘sensation novel‘ is one with Gothic elements  - murder, mystery, horror and suspense – within a domestic setting. Since reading TWIW I’ve read The Sensation Novel by Lyn Pykett, which describes such novels as a ‘minor subgenre of British fiction that flourished in the 1860s only to die out a decade or two earlier.’ They have complicated plots, are set in modern times, and are reliant on coincidences, with plots hinging on murder, madness and bigamy. They exploited the fear that respectable Victorian families had of hidden, dark secrets and explored the woman’s role in the family. There is a pre-occupation with the law – wills, inheritance, divorce and women’s rights over property and child custody. They are emotional dramas about obsessive and disturbed mental states, with villains hiding behind respectable fronts, and bold assertive women, as well as passive, powerless and compliant women.

These issues and more are present in TWIW. It has several first person narrators, who are each not in possession of the whole story. Their accounts from letters, diaries and formal statements are limited to what each one knew or had experienced, and are not always reliable. It begins with Walter Hartright’s meeting with the mysterious Woman in White, as he is on his way to take up the position of drawing master to Marian Halcombe and Laura Fairlie at Limmeridge House, in Cumberland.

 There, in the middle of the broad bright high-road – there, as if it had that moment sprung out of the earth or dropped from heaven – stood the figure of a solitary Woman, dressed from head to foot in white garments, her face bent in grave inquiry on mine, her hand pointing to the dark cloud over London as I faced her.

Just who she is only becomes clear much later on the story. During their conversation she reveals that she knows Limmeridge House and its occupants. Walter helps her, but then is filled with guilt when he is told that she had escaped from an asylum.

Laura and Marian are half-sisters, living with their uncle, Frederick Fairlie, a weak, effeminate invalid. Walter is immediately struck by the beauty of Marian’s figure, but astonished when he saw her face:

The lady is ugly! …

The lady’s complexion was almost swarthy, and the dark down on her upper lip was almost a moustache. She had a large, firm, masculine mouth and jaw; prominent, piercing, resolute brown eyes; and thick coal-black hair, growing unusually low down on her forehead.

Marian, clever and assertive is in complete contrast in both appearance and character to the lovely Laura. Walter falls in love with Laura, but she is pledged to marry Sir Percy Glyde, a marriage arranged by her dead father. Matters are complicated by the fact that Laura and the Woman in White look remarkably alike, which is central to the plot. Sir Percy attempts to gain total control of Laura’s money and property, aided by the villainous Count Fosco.

I found it a book of two halves – slow to get going, full of descriptive writing and I was beginning to wonder when something was actually going to happen. Then in the second half the pace increased, the action was fast and complicated, with plenty of tension and melodrama. I enjoyed it, although I do prefer The Moonstone.

I read this book as part of November’s Autumn Classics Challenge and The Book Garden’s Tea and Books Challenge (reading books of over 700 pages).

 

 

The Help by Kathryn Stockett: a Book Review

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The Help is Kathryn Stockett’s first novel. I loved it. I saw the film before I read the book – Octavia Spencer won a Golden Globe award as best supporting actress for her performance as Minny - and even though I knew the story I still found the book full of tension and completely absorbing. When I wrote about the film, I said I hoped the book lived up to my expectations. In fact, it did and more. As good as the film is, the book is even better and I think it’s one of the best books I’ve read for quite a while.

From the back cover:

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where black maids raise white children, but aren’t trusted not to steal the silver…

There’s Aibileen, raising her seventeenth white child and nursing the hurt caused by her own son’s tragic death; Minny, whose cooking is nearly as sassy as her tongue; and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared.

Skeeter, Aibileen and Minny. No one would believe they’d be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another. Each is in a search of a truth. And together they have an extraordinary story to tell…

My thoughts:

I didn’t find anything to detract from my enjoyment – even the fact that The Help is written in the present tense, which I normally don’t like, didn’t spoil it. I didn’t even realise it is in the present tense until I was well into the book. I think it’s better than the film because there is so much more in it, the characters are so well-defined, so believable, and the tension caused by the contrast between the black maids and their white employers is so appalling that I didn’t want to stop reading. The setting in Jackson in the early 1960s is tense to say the least. This book lives up to all the hype it created.

Aibileen, Minny and Skeeter are the three narrators and it is through their eyes that the book comes to life as they take turns telling their stories. As I was reading I could hear their voices.  Skeeter wants to be a writer and decides to write about what it is like working for white families from the coloured maids’ point of view. Aibileen is persuaded by Skeeter to tell her story in an attempt to change the prejudice and bigotry and improve the lives of the black population. Eventually other maids also tell their stories despite their fear of the consequences and the book is finally published. I was holding my breath as the story unfolded, would their cover be blown and how would the white women react?

It’s touching, poignant, funny, compelling and definitely thought-provoking. It’s a book that has stayed in my mind ever since reading it. I hope Kathryn Stockett writes more books!

  • My rating: 5/5
  • Author’s website: http://www.kathrynstockett.com/index.htm
  • Paperback: 464 pages
  • Publisher: Penguin; Reprint edition (13 May 2010)
  • Language English
  • ISBN-10: 0141039280
  • ISBN-13: 978-0141039282

The Burry Man’s Day by Catriona McPherson

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This is the second in Catriona McPherson’s Dandy Gilver series.

Synopsis (taken from the back cover):

August 1923, and as the village of Queensferry prepares for the annual Ferry Fair and the walk of the Burry Man, feelings are running high. Between his pagan greenery, his lucky pennies and the nips of whisky he is treated to wherever he goes, the Burry Man has something to offend everyone wherever he goes whether minister, priest or temperance pamphleteer. And then at the Fair, in full view of everyone – including Dandy Gilver, present at the festivities to hand out prizes he drops down dead.

It looks as though the Burry Man has been poisoned – but if so, then the list of suspects must include everyone in the town with a bottle of whisky in the house, and, here in Queensferry, that means just about everyone …

Part of my interest in The Burry Man’s Day is that it is set in South Queensferry, on the south shore of the Firth of Forth, now part of the city of Edinburgh, formerly in the County of Linlithgowshire. I’ve been there once. It’s close to the Forth Road Railway Bridge:

I haven’t seen the Burry Man’s Parade, which features strongly in this book; it must be a strange sight.

The book has a rather slow start, but it’s one I enjoyed for all its historical detail about the place, its traditions and the people. It has a great sense of place, with a map of Queensferry at the beginning of the book which helps you follow the action. I wasn’t very taken with Dandy Gilver. I liked her more in a later book in the series. In this book she comes across as a busy-body, albeit kind-hearted, and a snob, but then that’s probably just a reflection of the class structure of the times. She’s married to Hugh, who seems to spend his life hunting and shooting and managing his large estate at Gilverton in Perthshire. Dandy doesn’t have much in common with him, being rather bored by life at Gilverton and Hugh doesn’t feature much in this book.

This is Dandy’s second investigation and I suppose if I read the first book, After the Armistice Ball, I might understand her relation with Hugh and with Alec Osborne, her co-investigator. That’s one of the drawbacks of reading a series out of order.

There’s a lot more to this mystery than the death of Robert Dudgeon, who been the Burry Man for 25 years. He’d been extremely reluctant to take the part this year and the question  why was that remained unanswered for the majority of the book. I had an idea about the reason, but only guessed part of it. It’s a convoluted tale and the motive for the murder is buried deep in the descriptions of the characters and their histories. It’s a book you need to concentrate on, and at some points I did have difficulty in sorting out some of the minor characters. Other than that I think it’s a very good book, although maybe a bit too long.

  • My Rating 4/5
  • Author’s website: http://www.dandygilver.com/author.htm - where you can read an extract from this book
  • Paperback: 336 pages
  • Publisher: Robinson Publishing (30 Aug 2007)
  • Language English
  • ISBN-10: 1845295927
  • ISBN-13: 978-1845295929
  • Source: Library book

War Through the Generations Challenge – World War One

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I’ve been thinking about Reading Challenges for next year. At first I thought I would only do one or two, because I start out full of enthusiasm and then find that by listing the books I want to read often ends up with me forgetting about them and reading something completely different. I’m very much a ‘mood’ reader. This made me feel a bit pressured when I remembered that I haven’t read the books/finished a particular challenge.

But then I realised that the pressure is purely of my own making, and as I really enjoy making lists and seeing which books I already own would fit into a challenge, I’ve decided to go ahead, make my lists and if I do complete the challenge, so much the better. This of course, means that I’m not treating it as a ‘challenge’, but then I don’t consider reading is or should be a ‘challenge’.  I  think I’ll call it ‘themed reading‘.

My books fit so well into this theme, so I’m signing up for The War Through the Generations:World War 1 Challenge.

Here are the details:

The challenge will run from January 1, 2012, through December 31, 2012.

The books, whether fiction or non-fiction must have WWI as the primary or secondary theme and occur before, during, or after the war, so long as the conflicts that led to the war or the war itself are important to the story. Books from other challenges count so long as they meet the above criteria.

  • Dip: Read 1-3 books in any genre with WWI as a primary or secondary theme.
  • Wade: Read 4-10 books in any genre with WWI as a primary or secondary theme.
  • Swim: Read 11 or more books in any genre with WWI as a primary or secondary theme.

And these are my books:

  • All Quiet on the Western Front by Erich Maria Remarque – a book I mean to read each year. I started it a couple of years ago and never finished it. I’ll have to start again.
  • The Ghost Road by Pat Barker – set in 1918 as the War came to an end. This is the third in the trilogy. I haven’t got the first two, so hope this stands well on its own.
  • Testament of Youth by Vera Brittain. This is Vera Brittain’s autobiography. She was 21 in 1914.
  • Chronicle of Youth by Vera Brittain. This is her war diary 1913 – 1917 on which she based Testament of Youth.

Gillespie and I by Jane Harris: a Book Review

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Gillespie and I by Jane Harris is a cleverly told story, narrated by Harriet Baxter, alternating between events in 1888-90 (in Glasgow) and those in 1933 (in London). In 1888 Harriet moved to Glasgow where she got to know the painter, Ned Gillespie and his family. At first I liked Harriet but as I read on I became increasingly doubtful about her character, even though she comes across as an honest, reliable person. But, as she relates what her life is like in 1933 my impression of her began to change.

All is well at first but than a tragedy occurs which forms the major part of the book. It’s signalled in advance, when Harriet refers to the ‘horrible events’ that lay in the future. To say any more would be too much of a spoiler.

The setting of the book in Glasgow of the late 19th century is well described, helped by plans in the front of the book. The characters are also convincing, even some of the minor ones and her portrayal of Ned’s disturbed daughter, Sybil is quite chilling. This is a very detailed book, both about the place, artists and, through the account of a trial, the Scottish legal system of that period. It’s a book that lingered in my mind after I finished reading and if it wasn’t so long I’d like to re-read it in the light of what I now know.

  • Hardcover: 528 pages
  • Publisher: Faber and Faber (5 May 2011)
  • Language English
  • ISBN-10: 0571275168
  • ISBN-13: 978-0571275168
  • Source:an uncorrected proof from the publishers (via LibraryThing Early Reviewers)
  • My rating 3.5/5

I haven’t read Jane Harris first book, The Observations, although I’ve owned it for a while. It’s probably time I read that one too.

Fair Exchange by Michèle Roberts: a Book Review

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Fair Exchange by Michèle Roberts is from my to-be-read pile. I’ve had it for years and had started to read it once (it still had a book mark in it, but I had to begin again as I’d completely forgotten it) and stopped. I can’t remember why, because this time round I found it very readable. It’s historical fiction set in England and France in the late 1700s/early 1800s during the French Revolutionary period.

The Author’s Note at the beginning of the book explains that although she began with the idea of writing a novel about William Wordsworth’s love affair at the beginning of the French Revolution, with Annette Vallon, but as she wrote it, it turned into a novel about William Saygood a fictional friend of Wordsworth’s. Mary Wollstonecraft appears in the novel but Roberts has ‘plundered various aspects of her life’  for the character, Jemima Boote.  I like the fact that upfront you know that some of the events, places and people are fictional and that she hopes readers will forgive her ‘for the liberties’ she has taken. Well, I do.

It begins in France in 1792, thus:

In her youth Louise Daudry, née Geuze, had committed a wicked and unusual crime. At that time, autumn 1792, she wanted money very badly, so she put aside her knowledge that what she was doing was wrong and would hurt others. She told herself that virtue was a luxury the poor could not afford. She let herself be persuaded that no one would ever find out. (page 3)

Then it goes back in time and place to England years earlier when Jemima Boote met Mary Wollstonecraft. As you would expect there is a fair bit in this book about women’s rights and their place in society, and about the question of nurture versus nature in bringing up children. Jemima is a strong character, a free spirit but her life doesn’t turn out how she expected, affected not only by the Revolution but also by events in her personal life.

Intertwined with Jemima’s life are those of Louise, who works for the Vallons,  Annette Vallon, who falls in love with an English poet, and William Saygood, and Polly his sister (based on William and Dorothy Wordsworth?). When Annette discovers she is pregnant, Louise takes her to live in her mother’s house in the countryside and it is there that Annette and Jemima (also pregnant) meet, thus setting in motion the events that change both their lives.

I liked the ambiguity in this book, the uncertainty of what exactly was the crime that Louise had committed. It’s well written and kept me guessing almost to the end of the book. It’s one I’d like to re-read (if only I had the time!) to see if I could pick up the hints about what happened.

  • Paperback: 256 pages
  • Publisher: Virago Press Ltd; New edition edition (3 Feb 2000)
  • Language English
  • ISBN-10: 1860497640
  • ISBN-13: 978-1860497643
  • Source: my own copy (a Christmas/Birthday present)
  • Rating: 3/5

Two New Acquisitions

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I was really pleased to find these two books on recent visits to local bookshops.

First is Lilian Nattel’s The River Midnight. I’ve been reading Lilian’s blogs A Writer Reads and A Novelist’s Mind for a while and was interested in reading her books. Lilian also has a website with details of more of her books. Amazon UK has some copies of her first novel, The River Midnight for sale, the new ones at prices from £13.98 up to £40, with secondhand copies too, more reasonably priced (which you can see via my link to the book) and I was thinking about sending off for one. But I was thrilled to find a good paperback copy in The Border Reader Bookshop one of the local secondhand bookshops I visit, so I snapped it up. I love the cover.

It’s set in the tiny, fictional village of Blaska in Russian-occupied Poland at the end of the 19th century and the beginning of the 20th. Pogroms are a recent memory for the Jewish community, yet life in Blaska is rich and the bonds of friendship unbreakable. It’s a place where anything – even magic can happen (taken from the back cover).

The second book I was excited to find was from Barter Books, another favourite secondhand bookshop. I’d recently watched the film, Schindler’s List for a second time and was very moved by it – it had me in tears. So I wanted to find the book on which Steven Spielberg had based his film.  It was there at the top of a very high bookcase in the main body of Barter Books and D got up the step-ladders to retrieve it for me.

Thomas Keneally’s 1982  Booker Prize winning book was first published as Schindler’s Ark. It recreates the story of Oskar Schindler, a member of the Nazi party, who risked his life to protect Jews in Nazi-occupied Poland. He rescued more than a thousand Jews from the death camps.

Both books are based on real historical events, both set in Poland and about Polish Jews. Both have used contemporary sources and are based on historical research. Lilian has included  a selection of the sources she used and Thomas Keneally used a mass of Schindler material including testimonies of survivors, photographs of the period, documents, some of them produced by Oskar himself, copies of SS telegrams, and the famous list of Swangsarbeitslager Brinnlitz, Oskar’s second camp.  I think these two books go together and I’m planning to read them consecutively as soon as I can.

Murder on the Eiffel Tower by Claude Izner

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I thought Murder on the Eiffel Tower was a frustrating book to read. On the one hand it combines crime fiction and historical fiction, which is a favourite genre so I expected to be good. It begins really well as Eugénie Patinot takes her nephews and niece to the newly-opened Eiffel Tower in 1889. They sign the visitors’ book, the Golden Book and then Eugénie collapses and dies, apparently from a bee-sting.  Then there is Victor Legris, a bookseller (even better - historical crime fiction and a bookshop!) who is determined to find out what had really happened. More deaths occur, also caused by bee-stings. Could Paris really be invaded by killer  bees?

So far, so good, but the historical descriptions kept interfering with the mystery. Although it was interesting it slowed the book down too much and was distracting, to my mind. And the mystery wasn’t that good either, with too much guesswork by Victor, who kept changing his mind about who he suspected (and so did I).  I also thought the characters were rather flimsy and I didn’t really engage with any of them. Maybe it’s the translation but I wasn’t enthralled with the style of writing, either, which in parts was a bit tedious. I loved the cover, though.

I bought this book secondhand from Barter Books, without knowing anything about it or the author, attracted by the idea of a murder on the Tower and the cover. From the book I discovered that Claude Izner is the pen-name of two sisters, Liliane Korb and Laurence Lefèvre. They are both booksellers on the banks of the Seine, so that was why I found the book-selling scenes the best part of the book. They are also experts on 19th century Paris – hence the plethora of historical detail, I suppose.

  • Paperback: 304 pages
  • Publisher: Gallic Books (1 May 2007)
  • Language English
  • ISBN-10: 190604001X
  • ISBN-13: 978-1906040017
  • Source: I bought the book

Tom Fleck: a Novel of Cleveland and Flodden by Harry Nicholson

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I don’t often get offered books for review that really appeal to me, but recently I have had two – one was Dorte Jakobsen’s The Cosy Knave, which I wrote about earlier and the second is Tom Fleck by Harry Nicholson.

When Harry emailed me to ask if I would review his book I knew I couldn’t refuse – a book set in the 16th century and about the Battle of Flodden Field. Now, I love history and historical fiction. Flodden Hill, where the battle took place in 1513 is just down the road from me and it’s a place that fascinates me.  I replied saying that I’d like to read it but it could be some time before I did as I have so many other books queued up to read. As as I opened it and started reading it I just had to carry on!

Harry Nicholson is a really good storyteller and as I read I was transported back to the 16th century. His book is well-researched, but the detail never reads like a text book or intrudes. He consulted many sources, including primary and secondary sources such as wills, inventories and parish registers, printed journals and historical and archaeological society papers as well as studying military costumes and weapons at the national museum of arms and armour at Leeds.

From the Back Cover

The year: 1513. The place: North-East England. Tom Fleck, a downtrodden farm worker but gifted archer, yearns to escape his masters. He unearths two objects that could be keys to freedom: a torque of ancient gold and a Tudor seal ring. He cannot know how these finds will determine his future. Rachel Coronel craves an end to her Jewish wanderings. When the torque comes to rest around the neck of this mysterious woman, an odyssey begins which draws Tom Fleck into borderlands of belief and race. The seal ring propels Tom on a journey of self-knowledge that can only climax in another borderland – among the flowers and banners of Flodden Field.

The story is about Tom, a young farm worker on the Warren Manor Estate in Cleveland. He longs to escape and farm his own land. So when Mark, the Lord of the Manor’s son orders him to go north with the militia from the manor to fight against the Scots on the border, he takes matters into his own hands and leaves home to join forces with drovers from Durham.  The drovers and Tom get caught up in the preparations for war and as Tom is a gifted archer he is pressed into joining the English forces in fighting against the Scots under James IV at Flodden Field.

It is also a love story, as Tom and Rachel fall in love, but then there is his sweetheart, Mary who he left behind at home. Who will he choose, if indeed, he should survive the battle? Generally I’m not keen on reading battle scenes but Harry dealt with this very well and actually I think it’s one of the best accounts of the Battle of Flodden that I’ve read.

All in all, this is a fascinating glimpse into the lives of ordinary people and the aristocracy in the 16th century, caught up in war.  It highlights differences in their lives and in their deaths – the rich received honours and church burials, whereas the rest were simply bundled together in pits in the field:

‘That’s the way of it, Tom – that’s the way of it; no stone lions at our feet, nor a brass plate to cover us. There’ll be nowt apart from green rushes to mark our spot.’ (page 230)

More information on Tom Fleck is on Harry’s website where you can read Chapter 1.  And for more details of the battle, including the routes the armies took and a tour of the battlefield seeThe Remembering Flodden Project.

  • Paperback: 266 pages
  • Publisher: YouWriteOn.com (11 Jan 2011)
  • Language English
  • ISBN-10: 1908147768
  • ISBN-13: 978-1908147769
  • Source: review copy from the author