Category Archives: Historical Fiction

Stacking the Shelves

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Stacking The Shelves is all about sharing the books you are adding to your shelves. This means you can include ‘real’ and ‘virtual’ books (ie physical and ebooks) you’ve bought, books you’ve borrowed from friends or the library, review books, and gifts.

This is my first entry in Stacking the Shelves. These are last week’s new arrivals:

In the heart of the sea

First ‘real’ books. It was Mother’s Day last Sunday and my son bought me this book, In the Heart of the Sea: the Epic True Story that Inspired Moby Dick by Nathaniel Philbrick – wonderful!

From the back cover:

The sinking of the Nantucket whaleship Essex by an enraged spermwhale far out in the Pacific in November 1820 set in train one of the most dramatic sea stories of all time. Accounts of the unprecedented whale attack inspired Herman Melville’s mighty novel Moby Dick, but In the Heart of the Sea goes beyond these events to describe what happened when the twenty mixed-race crewmen took to three small boats and what, three months later, the whaleship Dauphin, cruising off the coast of South America, discovered when it spotted a tiny boat sailing erratically across an open ocean.

The other books in the photo above are library books:

  • Collins Artist’s Little Book of Inspiration by Hazel Soan – a lovely little book looking at the basics elements of a painting using watercolours, oils and acrylics, with demonstrations and projects to try. I like just looking at the paintings!
  • The Reckoning by Jane Casey, the second in her Maeve Kerrigan series. I reserved this because I’d enjoyed the first one, The Burning and wanted to read more. This one begins with the murders of two paedophiles.
  • Conan Doyle: the Man who Created Sherlock Holmes by Andrew Lycett. This book was on a display stand and even though it’s a huge, heavy book I fancied reading it. It was probably on display following the  recent TV drama Arthur and George, which I enjoyed. I read Julian Barnes’ book of the same name some years ago, which pre-dates this biography.

When Lovereading offered a review copy of Dacre’s War by Rosemary Goring I didn’t hesitate because I’d loved Rosemary Goring’s earlier novel, After Flodden.

Dacres War

Dacre’s War is set 10 years after the battle of Flodden in the Scottish and English borders, a story of ‘personal and political vengeance’ as Adam Crozier sets out to take revenge on Lord Thomas Dacre, who had ordered the death of his father. It’s due to be published on 14 May 2015.

Lastly, the latest ebook I’ve downloaded is today’s Kindle Daily Deal, Last Man in Tower by Aravind Adiga. A. N. Wilson ‘was absolutely mesmerized by this novel’ and thinks ‘that Aravind Adiga is already, with this, his second book, the most exciting novelist writing in English today.’ 

Last Man in Tower

Catching the Eagle by Karen Charlton

I wanted to read a novel by a local author so I checked the library website for North East writers, where I found Catching the Eagle by Karen Charlton.

Summary from the book cover:

Easter Monday, 1809: Kirkley Hall manor house is mysteriously burgled. When suspicion falls on Jamie Charlton, he and his family face a desperate battle to save him from the gallows.

When 1,157 rent money is stolen from Kirkley Hall, it is the biggest robbery Northumberland has ever known. The owner sends for Stephen Lavender, a principal officer with the Bow Street magistrate’s court in London, to investigate the crime. Suspicion soon falls on impoverished farm labourer, Jamie Charlton, and the unpopular steward, Michael Aynsley.

Jamie Charlton is a loving family man but he is hot-tempered and careless. As the case grows against him, it seems that only his young brother, William, can save him from an impending miscarriage of justice.

But William is struggling with demons of his own–he is falling in love with Jamie’s wife.’Catching the Eagle’, the first novel in the Regency Reivers series, is a fictionalized account of a trial that devastated a family and divided a community.

This is not just by a local author, and set in Northumberland, it is also based on a true story –  that of Karen Charlton’s husband’s ancestors.

I liked the opening of Catching the Eagle beginning with a Prologue, setting the scene as an eagle soared over the Northumberland landscape:

… its huge shadow caressed the ruined walls of crumbling castles and the creaking rotting stumps of ancient gibbets.The eagle plucked unsuspecting prey from the bleak, snow-covered fells and drank from remote rocky waterfalls dripping with golden daggers.

It landed in a tree above a labourer’s cottage where Jamie Charlton lived with his wife Priscilla and their children. I like Karen Charlton’s leisurely descriptive style of writing and found the whole book to be fascinating.  She has written an even-handed account of the robbery and the subsequent trials, so much so that I began to wonder whether Jamie Charlton was innocent or guilty, although you know from the outset that he was transported as a convicted felon to New South Wales. Did he or did he not steal the money? And what will happen to the eagle?

This is the type of historical fiction that I like. The characters come across as real people, with real problems in a real time and place (Northumberland 1809 – 1811). It highlights the social and cultural setting. Jamie was without influence or money behind him up against a judicial system run by people with power who needed to find a culprit. His family suffered along with him as he languished in goal in squalor, where he was caged as he awaited trial – not once, but twice.

I wondered whether Stephen Lavender, the detective employed by  Nathaniel Ogle, the owner of Kirkley Hall was also a real historical figure. Karen Charlton has also written Seeking Our Eagle, another fascinating book, an account of how she came to write Catching the Eagle whilst researching her husband’s family history.  And yes, Stephen Lavender did exist and he was a detective. He later became the Deputy Chief Constable of Manchester after the formation of the police force by Sir Robert Peel.

Indeed reading Catching the Eagle reminded me of The Suspicions of Samuel Whicher by Kate Summerscale, featuring Detective Inspector Jonathan Whicher of Scotland Yard, the book that won the Samuel Johnson Prize for Non-Fiction in 2008.

Karen Charlton has done her research very well and has written a novel full of intrigue, tension and realism that kept me captivated from start to finish. See her website, Karen Charlton, to read more about Karen and her books.

She has also written The Heiress of Linn Hagh, a spin-off novel from Catching the Eagle, which features Detective Stephen Lavender and his sidekick, Constable Woods. And there are more Detective Lavender Series books on the way!

Catching the Eagle:

  • Paperback: 280 pages
  • Publisher: Famelton Publishing; 1 edition (19 July 2014)
  • ISBN-10: 0992803640
  • ISBN-13: 978-0992803643
  • Product Dimensions: 15.2 x 1.8 x 22.9 cm
  • Source: Library book

Seeking the Eagle:

  • Format: Kindle Edition
  • File Size: 1969 KB
  • Print Length: 166 pages
  • Publisher: Famelton Publishing; 1st edition (7 Aug. 2012)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B008UZYOR2
  • Source: I bought it

As always I didn’t read either book just for any Reading Challenges, but Catching the Eagle does fit very well into a couple – the 2015  Historical Fiction Reading Challenge and the What’s in a Name Challenge, in the book with an animal in the title category and Seeking Our Eagle into the Nonfiction Reading Challenge.

First Chapter First Paragraph: The Zig Zag Girl

Every Tuesday Diane at Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros, where you can share the first paragraph, or a few, of a book you are reading or thinking about reading soon.

My choice this week is: The Zig Zag Girl by Elly Griffiths, a book I have just finished reading.

It begins:

 ‘Looks as if someone’s sliced her into three,’ said Solomon Carter, the police surgeon chattily. ‘We’re just missing the middle bit.’

I must not be sick, thought Edgar Stephens. That’s what he wants. Stay calm and professional at all times. You’re the policeman, after all.

What do you think? Would you read on?

I did. I’m a squeamish reader and don’t like anything too graphically gory and you might think this opening would put me off. But it didn’t – for one thing, it doesn’t go into detail about how the body got cut into three. Well, yes later down the page there’s mention of ‘clotted blood and smell of decaying flesh‘, but that’s it, it’s all secondhand, no scenes where the murderer is described doing the terrible act, no dwelling on what he/she was doing to the other person.

Blurb from the inside flap:

Brighton, 1950 – a post-war world of rationing, austerity, pea-souper fogs and seedy seaside resorts. When the body of a girl is found, cut into three, DI Edgar Stephens recalls a magic trick that he saw as a boy. The illusion is called the Zig Zag Girl and its inventor, Max Mephisto, is an old friend of his. They served together in the war as part of a shadowy unit called the Magic Men, formed to use stage trickery to confuse the enemy.

Edgar tracks down Max and asks for his help. Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Max is reluctant to get involved but the changes his mind when the dead girl turns out to be his former stage assistant. Another death follows, again gruesomely staged to resemble a magic trick, the Sword Cabinet.

Edgar and Max become convinced that the answer to the murders lies back in their army days and the antics of the Magic Men.

When Edgar receives a letter warning of another ‘trick’, he knows that they are all in danger. The Wolf Trap is the deadliest illusion of all, but who will be the next victim?

I’ve read some of Elly Griffiths’ Ruth Galloway, forensic archaeologist, crime novels, which I have enjoyed despite wishing they weren’t written in the present tense. So it was with relief that I came to The Zig Zag Girl and found it’s written in the past tense.

I enjoyed it in several ways – for its characters, particularly Edgar Stephens and its setting, recalling the atmosphere of the 1950s and how times were changing. The theatrical elements are fascinating – life on the variety circuit was not all glitz and glamour; and the activities of the  Magic Men unit during the war had of course an immense effect on all their lives. I worked out quite early on who the murderer was – but not why, which only dawned on me at the end of the book.

I don’t know if this is going to be the start of a new series – I’d read more if it is.

Turn of the Tide by Margaret Skea

I have read some wonderful debut novels this year –  Turn of the Tide by Margaret Skea is one of them. I loved it. It’s historical fiction and it captivated me completely transporting me  back in time to 16th century Scotland. If you have ever wondered,  as I have, what it must have been like to live in a Tower House in the Scottish Borders then this book spells it out so clearly. And it puts you firmly in the middle of the centuries old feud between the Cunninghames and the Montgomeries, with all the drama of their battles, ambushes and schemes to further their standing with the young King James VI. It’s a tale of love, loyalty, tragedy and betrayal.

It’s no wonder that the book was  the Historical Fiction Winner in the 2011 Harper Collins / Alan Titchmarsh People’s Novelist Competition and won the Beryl Bainbridge Award for Best First Time Author 2014.

There is a map setting the scene in Ayreshire on the west of Scotland between the Firth of Clyde and the Solway Firth, showing the major sites in the book. I found both the map and the list of main characters most useful whilst following the story. And to complete my understanding there is a Glossary of Scottish words at the back of the book, although the meaning of most of them was clear from the context.

It begins in 1586  with an ambush in which several of the Cunninghame Clan, on their way to James VI’s court at Stirling are killed, followed by the Clan’s reprisal on the Montgomeries. James, anxious to settle the feud between his nobles, asks them to swear to bring their feud to an end, which brings an uneasy peace between them – for a while.

Most of the characters are real historical figures, includingJames VI, the Cunninghames – William, the Master of Glencairn and the Montgomeries – Hugh, the Master of Braidstane and their families. The feud is also a matter of fact. It began in 1488 when James IV gave control of the Balliewick of Cunninghame to a Montgomerie! It didn’t come to an end until the beginning of the 17th century.

The main characters,  Munro and his wife Kate and a few of the others are fictional. Munro is a minor laird who whilst owing allegiance to the Cunninghames, has increasing sympathy and liking for the Montgomeries. His dilemma only increases throughout the book.

Margaret Skea has done her research well, not just the feud and battles but also the domestic settings are detailed down to descriptions of the clothing, the food and so on – even how the town house rooms were finished with limewash, which involved carrying bucket-load after bucket-load up four flights of stairs to rejuvenate the attic chamber where the children slept. But it slots seamlessly into the story, adding colour and life to the scenes.

It’s all fascinating  – the hunt arranged for the king, the account of his journey across the North Sea to bring home his bride, Anne of Denmark, the scenes as the royal party lands at Leith and the coronation in Edinburgh, as well as the jockeying for positions, and the battles all culminating in a tense and dramatic finale.

Not only is this riveting history it is also so well written, beautifully descriptive:

Across the valley the castle reared against the skyline, the town tumbling down the slope below, wisps of smoke beginning to unfurl, first one, then another, then too many to count, as Stirling awoke.

The countryside was spread out before him like a map; the distant hills to the south west smudged against the watery sky; the river a dark ribbon snaking through the marshland below, cradling Cambuskenneth in a giant u-shaped loop. (pages 98-99)

and this – such a startling image:

Daylight slipped into their bedchamber like wraith; grey and insubstantial, filtered through the grime and soot that coated the outside of the windowpanes. (page 247)

And I’m delighted that Margaret Skea is writing a sequel as I really want to know what happened next to Munro and his family. The working title is A House Divided, continuing the story in the late 1590s.

  • Paperback: 416 pages – also available on Kindle
  • Publisher: Capercaillie Books Limited; first edition (22 Nov. 2012)
  • Language: English
  • ISBN-10: 1909305065
  • ISBN-13: 978-1909305069
  • Source: I bought my copy
  • Author’s website: Margaret Skea, Writing yesterday, today

New-To-Me Books

I took a bagful of books back to Barter Books yesterday and came home with these books:

Christie encyclopedia 01 P1010423From top to bottom

  • Sad Cypress by Agatha Christie – this is one of the few of her books that I have yet to read. I’ve been looking out for this one, first published in 1940. It’s a Poirot mystery in which there are two victims murdered by poison.

As I hope to finish reading Agatha Christie’s books this year I’ve decided to attempt reading as many of Ruth Rendell’s books and those she has written as Barbara Vine:

  • End in Tears by Ruth Rendell – an Inspector Wexford murder mystery in which the victim’s father discovers her body near the family house.
  • The Chimney Sweeper’s Boy by Barbara Vine – in this case a daughter discovers that her perfect father was not all he appeared to be.

Then I browsed the shelves and found the next two books:

  • The Winter Garden by Jane Thynne is set in Berlin in 1937, where Clara Vine, an actress is an undercover agent for British Intelligence.  I thought the author’s name was familiar but couldn’t remember reading any of her books – until I got home and found that I already have Black Roses, the first Clara Vine book (set in 1933),  unread on the black hole that is my Kindle. I’d better read Black Roses first.

and finally:

The Ravens Head by Karen Maitland

I loved Karen Maitland’s medieval mysteries, Company of Liars: a novel of the plague and The Owl Killers and although I didn’t think The Vanishing Witch had quite the same magic spark I still enjoyed it. So when Lovereading offered me a proof copy of The Raven’s Head for review I was keen to read it.

Publisher: Headline Review
Publication date: March 12, 2015
ISBN: 9781472215055

Summary from Karen Maitland’s website:

Vincent is an apprentice librarian who stumbles upon a secret powerful enough to destroy his master. With the foolish arrogance of youth, he attempts blackmail but the attempt fails and Vincent finds himself on the run and in possession of an intricately carved silver raven’s head.

Any attempt to sell the head fails … until Vincent tries to palm it off on the intimidating Lord Sylvain – unbeknown to Vincent, a powerful Alchemist with an all-consuming quest. Once more Vincent’s life is in danger because Sylvain and his neighbours, the menacing White Canons, consider him a predestined sacrifice in their shocking experiment.

Chilling and with compelling hints of the supernatural.

My thoughts:

Set in 1224 in France and England this is a dark book. I found parts of it very uncomfortable and disturbing to read and yet also very compelling. Life in the medieval world was cruel and brutal and The Raven’s Head describes that world in minute detail, evoking the superstitious fear of the period.

The story is told from the three main characters point of view -Vincent, Wilky, a young boy taken from his family to live in a monastery in Norfolk where unspeakable terrors await him and the other young boys, and Gisa also living in Norfolk, working in her uncle’s apothecary’s shop. Their lives are connected through Lord Sylvain who is trying to find a way to bring the dead back to life and the abbot, trying to find the elixir of life – both experimenting with alchemy.

Karen Maitland provides a cast of characters and sets out the historical background and provides notes and a glossary on the practice of  alchemy during the Middle Ages, all of which I found indispensable. Each chapter is headed by a quotation taken from the writings of early Christian and Islamic alchemists – most of which I found incomprehensible.

She explains that alchemy was a dangerous practice, many chemical experiments could go horribly wrong – as in this book. Alchemists worked in secret. It was mystical, as they searched for the means to transform the base soul of man into pure incorruptible spirit, as well as physical, searching for the stone, elixir or tincture to turn base metals into precious metals.

Although long this is a fast-paced book and I read it quite quickly.  I enjoyed the historical setting and even though it took me right to the edge of my comfort zone as far as reading horrific detail the rest of the book made up for that in terms of a well constructed storyline and believable characters. Once I began I had to finish the book.

Portrait in Sepia by Isabel Allende

I picked up Portrait in Sepia up in a bookshop four years ago. As I knew nothing about it or the author it joined the other to-be-read books until just recently.

The opening pages of this historical novel grabbed my attention, about Aurora del Valle’s birth in 1880 in San Francisco in the Chinese quarter and referring to family secrets:

I have come to know the details of my birth rather late in life, but it would have been worse not to discover them at all, they could have been lost forever in the cracks and crannies of oblivion. There are so many secrets in my family that I may never have time to unveil them all: truth is short-lived, watered down by torrents of rain. (page 3)

Portrait in Sepia is part of a trilogy, with The House of the Spirits and Daughter of Fortune, and maybe it would have helped if I’d read the other two books, but I thought there was plenty of background history to the characters and I had no problem in following the story and distinguishing the characters.

Summary from the back cover:

After her mother dies in childbirth, Aurora del Valle is raised by her grandmother in San Francisco, but despite growing up in this rich and privileged environment, Aurora is unhappy. Haunted by terrible nightmares and the inexplicable absence of many of her childhood memories, and finding herself alone at the end of a love affair, she decides to travel to Chile to discover what it was, exactly, all those years ago, that had such a devastating effect on her young life. 

Aurora is the narrator and this the story of her family and after giving details of her birth, Aurora goes back to 1862 beginning her story with details about her grandparents. This is not a book you read quickly as there is a lot of detail, a lot of 19th century history of Chile, its mix of nationalities, politics and wars – at first I felt I was drowning in detail, but once I settled into the rhythm of the writing I began to appreciate Allende’s style. It takes you right into the characters, seeing them through Aurora’s eyes – her Chinese grandfather, Tao Chi’en, her uncle Severo and her two grandmothers, Paulina and Eliza, who both play a large role in her life. And there are many other colourful characters and momentous events in this book.

It’s a book about love, loss, identity, betrayal and about family relationships. It’s a portrayal of the strengths and weaknesses of the characters and their struggle to survive. Aurora tells her family’s story through looking at photographs, snapshots in time, through her own disjointed, incomplete and vague memories of her childhood and through conversations with her family members. Whilst she was still very young her two grandmothers decided her future, thinking that time would erase the memory of the traumatic events she had seen, never realising that the scenes would live forever in her nightmares.

Portrait in Sepia explores the nature of memory, how each moment of our lives is so transitory and how the past becomes confused as we try to recapture the moments we’ve lived through. Through photographs we can keep memories alive. As Aurora discovered:

Every instant disappears in a breath and immediately becomes the past; reality is ephemeral and changing, pure longing. With these photographs and pages I keep memories alive; they are my grasp on a truth that is fleeting , but truth none the less; they prove that these events happened and that these people passed through my destiny. Thanks to them I can revive my mother who died at my birth, my stalwart grandmothers, and my wise Chinese grandfather, my poor father, and other links in the long chain of my family, all of mixed and ardent blood. (pages 303-4)

Reading a book like this inevitably leads me on to yet more books, because now I want to read the other two books in the trilogy.

Lamentation by C J Sansom

Once again I am behind myself with writing about the books I’ve read! So here are just a few thoughts about C J Sansom’s historical novel, Lamentation, the sixth Matthew Shardlake book.

I have enjoyed the earlier books in the series so I had great expectations for Lamentation and I wasn’t disappointed. It’s set in 1546, the last year of Henry VIII’s life. Shardlake, a lawyer is asked by Queen Catherine (Parr) for help in discovering who has stolen her confessional book, Lamentation of a Sinner. What I like about these books is their historical setting and the Historical Notes giving yet more background to the period and emphasising that because the sources are ‘very thin’ that inevitably this is Sansom’s own interpretation of events and clarifying that Catherine Parr’s book was not, in the real world, stolen.

The book evokes the people, the sights, smells and atmosphere of Henry’s last year and at the same time it’s an ingenious crime mystery, full of suspense and tension. It begins as Shardlake is ordered to watch the burning at the stake of Anne Askew and other heretics (a real event). I’m not good at reading horrific scenes, but I managed this one without too much mental aversion of my eyes. Along with the mystery of the missing book, Shardlake is working on the Cotterstoke dispute between rival siblings, and has problems at home with his domestic servants.

I was also very taken with Shardlake’s introduction in Lamentation to William Cecil, Mary Tudor and a young Elizabeth I. I hope Sansom has more Shardlake books in mind.

The Vanishing Witch by Karen Maitland

I found The Vanishing Witch by Karen Maitland a little slow at the beginning, although it’s full of interesting and well drawn characters, set in Lincoln during the reign of Richard II. It’s the time of the Peasants Revolt, a time of murder and mayhem and when suspicions of witchcraft were high as people started to die unnatural deaths, but it just didn’t have the magic spark that I’d enjoyed in her other books that I’ve read – The Company of Liars and The Owl Killers. It’s a long book of nearly 500 pages and it’s not just the beginning that’s slow, but it picks up towards the end.

The story revolves around Robert of Bassingham, a rich wool merchant, and his family – wife Edith and sons, Jan and Adam. All is fine until Robert meets Catlin, a wealthy widow, who comes to him for advice. Catlin is, of course, not as kind and good as Robert thinks she is and Robert’s family soon suffers because of his involvement with her. There are many other characters, including Gunter and his family. Gunter is a river boatman, struggling to make a living, burdened by heavy taxes he can’t pay. His life goes from bad to worse.

I liked the elements of the supernatural and suspicions of witchcraft in this book and the historical setting. There are several narrators, including a ghost and each chapter is headed by weather-lore, anti-witchcraft charms and spells taken from medieval ecclesiastical writings, recorded British folklore and from medieval spell books known as grimoires. For example this is the heading for Chapter 2:

If you fear that you are in the presence of a witch, clench both your hands into fists with the thumbs tucked under your fingers. Then she cannot enchant your mind.

Now that advice could be useful!

Time’s Echo by Pamela Hartshorne


As I wrote in a First Chapter post  Time’s Echo mixes time as Grace Trewe is drawn into Hawise Aske’s life, four and a half centuries earlier in York, 1577. I saw this book in the library and although I hadn’t heard of Pamela Hartshorne I thought the title was interesting, and from the description on the back cover and the opening paragraphs, I thought it was worth borrowing.

RIP IXIt’s a good choice for Carl’s R.I.P. IX challenge, a time-slip story with an element of mystery and suspense in both time periods. Grace is staying in York to sort out the sale of her late godmother’s house when she experiences unnerving episodes in which she appears to be reliving the traumatic events in Hawise’s life beginning in 1577.  Grace likes to travel and although she survived the Boxing Day tsunami she is suppressing her memories of what happened. 

I think the suspense is somewhat diluted because right from the opening chapter it’s revealed that Hawise was drowned on All Hallows’ Eve, with her thumb tied to her toe – ie as a witch. But as Grace’s episodes continue she learns what happened in Hawise’s life to bring her to her dramatic death and this is interwoven with events in Grace’s life. It gets to the point where she dreads slipping out of current time into not only Hawise’s past but also into her own as what happened to her in the tsunami breaks through her mind.

What does add to the suspense is the unpredictability of the time-slips and the sense of malice and evil. So much so that the sceptic in me was unable to decide whether this was a question of whether Grace was suffering from post-traumatic stress disorder or was she really being “possessed” by Hawise, as she believed, feeling Hawise clamouring to be let into her mind. I found the historical sections more interesting than the modern story, which I think often happens when I read time-slip stories.

Pamela Hartshorne explains how she came to write this book in the Author’s Note at the end of the book. It grew out of her research on the wardmote-court returns of early modern York. These records dealt primarily with nuisances, things that affected the quality of life for the neighbourhood – such as noisy neighbours, blocked sewers. potholed streets etc (I note that local life hasn’t changed much over the centuries!). Some of the minor characters were real people, but this book is a work of fiction and Hartshorne is not intending this to be an accurate historical account, although she has tried to make it as convincing and as authentic as she could – I think she succeeded.

I thought the book was rather drawn out in parts, slowing the story down a bit too much for my liking. But, I like the fact that the book has a factual background, even though there are some liberties with the evidence – eg there was no plague in York in the 1570s or 1580s as featured in the book. So, on the whole I enjoyed Time’s Echo primarily because of its historical elements and I’ll look out for more books by Pamela Hartshorne. I see from her website that she has just published another time-slip book, The Memory of Midnight.