First Chapter ~ First Paragraph Tuesday Intros

First chapterEvery Tuesday Diane at  Bibliophile by the Sea hosts First Chapter First Paragraph Tuesday Intros, sharing the first paragraph or (a few) of a book she’s reading or thinking about reading soon.

Recently I was looking through my many shelves of unread books and came across Not the End of the World by Christopher Brookmyre, a book I started some time again and put to one side, intending to get back to it quite soon. Time has since whizzed by and now, even though I have a bookmark indicating where I got up to, I’ll have to start it again.

It begins with a Prologue:

Joey Murphy was a fisherman. He was the captain and proprietor of a small trawler that was the whole world to him, but which he knew to be merely a speck on the endlessness that was the Pacific Ocean.

He believed in God.

He believed in Jesus.

He believed in His death, resurrection and bodily ascension.

I could have stopped quoting the opening paragraphs here, but that would not really have given a clear indication of the tone of this book. It continues:

He also believed in ghosts, poltergeists, demonic possession, Satanic possession, flying saucers, alien abduction, Roswell, Bigfoot, the Loch Ness monster, the Bermuda Triangle, telepathy, telekinesis, pyrokinesis, spontaneous combustion, levitation, reincarnation, out-of-body consciousness and the rapture.

There’s more, but I think this should be enough to get the picture that Joey believes in ‘stuff that makes the world seem a more interesting place.

Unlike other books by Brookmyre this is not set in Scotland, but in Los Angeles with Lt Larry Freeman of the LAPD investigating the disappearance of the crew of an oceanic research vessel who had gone missing in the Pacific along with their mini-submarine. But there is ‘a Glaswegian photographer with an indecipherable accent and a strong dislike of hypocrisy or of a terrorist who seems to have access to plutonium as well as Semtex.’ (source: Brookmyre)

A Time of Gifts by Patrick Leigh Fermor

I read A Time of Gifts by Patrick Leigh Fermor a few weeks ago and have been mulling it over ever since. It began so well and I thought it was one of those books I was going to love. And then there are later passages which are so tedious and hard work to read, so full of dry facts and arcane words that I began to wonder why I was reading any further. But I did and then the writing swept me away and I became engrossed in the book again.

My reaction, I think, is to the two sides of this book, in which Patrick Leigh Fermor describes his travels on foot in 1933 from the Hook of Holland through Germany, to Austria, Slovakia and Hungary, on his way to Constantinople. (He continued his journey in Between the Woods and the Water, which describes his experiences up to the Iron Gates border between Rumania and Bulgaria.) The two sides are because he wrote this book in later life so his direct experiences and reactions are intermingled with the results of his later research and with the benefit of hindsight. I prefer the immediacy of his earlier writings taken from the diaries he kept along the way, bringing the countryside to life and recounting his encounters with the local people.

There are passages like the one below where he linked his journey to painting:

When no buildings were in sight, I was back in the Dark Ages. But the moment a farmhouse, or a village impinged, I was in the world of Peter Brueghel. The white flakes falling beside the Waal – or the Rhine or the Neckar or the Danube – and the zigzag gables and the muffled roofs, were all his. The icicles, too, and the trampled snow, the logs piled on the sledges and the peasants stooped double under loads of faggots. … When the wintry light crept dimly from slits close to the horizon or an orange sun was setting through the branches of a frozen osier-bed, the identity was complete.

In the end I scan read page after page of detailed descriptions of churches, of sociological, political or historical people and places.  I was too impatient to read all those details and I was reading the book too quickly. It’s a book to take your time with, to read a section, put the book down and come back to it later – and I didn’t do that, I swallowed it down with the result that parts were indigestible.

In a way his journey was a gilded experience as he had introductions to people in different places – people who gave him a bed for the night, or longer stays. There were also people who didn’t know him who welcomed him into their homes as a guest – as the title says it was a time of gifts. It was the period when Hitler came to power in Germany:

Appalling things had happened since Hitler had come into power ten months earlier: but the range of horror was not yet fully unfolded. In the country the prevailing mood was a bewildered acquiescence. Occasionally it rose to fanaticism.

But whereas not everyone liked the English there were some who did:

I answered many earnest questions about England: how lucky and enviable I was, they said, to belong to that fortunate kingdom where all was so just and sensible. The allied occupation of the Rhineland had come to an end less than ten years before, and the British, she said, had left an excellent impression.

Overall, I did enjoy this book. There are many passages so vividly described that I can remember them now weeks later – the vision of this young man, nearly nineteen years old striding through the German countryside reciting Shakespeare, in a loud voice and accompanied with gestures, sword thrusts, a staggering gait and with his arms upflung, looking as though he was drunk, or a lunatic. Then there was the time in Vienna when the money he was expecting hadn’t arrived and Konrad, a Don Quixote type character, took him round to a block of flats and encouraged him to knock on doors asking if the occupants wanted to pay him for a sketch of themselves.

In fact even with the dull passages, I liked this book well enough to buy the second book by Fermor Leigh, Between the Woods and the Water and I see that a third book is to be published later this year – The Broken Road, completing the account of his journey to Constantinople.

Following his walk across Europe, Patrick Leigh Fermor (1915-2011) lived and travelled in the Balkans and Greek Archipelago. He joined the Irish Guards and during the occupation of Crete led the party that captured the German commander. He was awarded the DSO and OBE.

Sunday Selection

I finished reading The Owl Killers by Karen Maitland yesterday. It is a book that I’ve had for nearly three years and like many of the other unread books that I own, I wish I’d read it long before now – it’s good and I’ll be writing down my thoughts about it soon.

But it has got me thinking that I should spend more time reading books I’ve owned for more than a year and still haven’t got round to reading. I get sidetracked by new books and by library books and it’s got worse with the ease of having books to read on Kindle. There are all those free e-books and really cheap ones too, which may or may not be any good, and, click they’ve been downloaded.

So, as one of my aims this year is to reduce my massive backlog of unread books I’m going to concentrate on reading some of these for a while, all books I’ve owned a long time!

First up for consideration a selection of historical fiction (the blurbs are from Amazon):

  • The White Queen by Philippa Gregory – the TV dramatisation of this book begins tonight on BBC1, maybe I should read it in tandem, or leave it for later? It’s the story of Elizabeth Woodville, the White Queen. A woman who won the love of a king and ascended to royalty by virtue of her beauty, Elizabeth fought tenaciously for the success of her family — her daughter who would one day unite the warring dynasties, and her two sons whose eventual fate has confounded historians for centuries: the Princes in the Tower.
  • The Constant Princess – another Philippa Gregory book - Katherine of Aragon is born Catalina, the Spanish Infanta, to parents who are both rulers and warriors. Aged four, she is betrothed to Arthur, Prince of Wales, and is raised to be Queen of England. She is never in doubt that it is her destiny to rule that far-off, wet, cold land.
  • Falling Angels by Tracy Chevalier - January 1901, the day after Queen Victoria’s death: two families visit neighbouring graves in a fashionable London cemetery. One is decorated with a sentimental angel, the other an elaborate urn. The Waterhouses revere the late Queen and cling to Victorian traditions; the Colemans look forward to a more modern society. To their mutual distaste, the families are inextricably linked when their daughters become friends behind the tombstones. And worse, befriend the gravedigger’s son.

Then, a selection of crime fiction:

  • The Remorseful Day by Colin Dexter – The murder of Yvonne Harrison had left Thames Valley CID baffled. A year after the dreadful crime they are still no nearer to making an arrest. But one man has yet to tackle the case – and it is just the sort of puzzle at which Chief Inspector Morse excels. The final Morse book, which I bought after watching the TV version. I’ve just checked and this was way back in 2000! I decided at the time that I would read it later – I never meant it to be 12 years later! 
  • I’ve borrowed several Christopher Brookmyre books from our son and have been meaning to read them before now. I see from a bookmark that I did start Not the End of the World a while back. The crew of an oceanic research vessel goes missing in the Pacific along with their mini-submarine. An evangelical media star holds a rally next door to a convention in LA devoted to ‘nubile’ cinematic entertainment. The cops know there’s going to be trouble and they are not disappointed. What they didn’t foresee was the presence in their state of a Glaswegian photographer with an indecipherable accent and a strong dislike of hypocrisy, or of a terrorist who seems to have access to plutonium as well as Semtex. In his unique style, Christopher Brookmyre throws a harsh light on the selfish preoccupations of 1990s society and at the same time provides uproarious entertainment.
  • Kissing the Gunner’s Daughter by Ruth Rendell. It’s inevitable, I suppose that when I double shelve books that I forget I’ve got them. If I thought 12 years was a long time to have owned and not read a book, then I was astonished when I checked this book to find that I’ve had it since 1992! No!! It’s another book I bought after watching the TV version, which was broadcast in November 1992. I did start it – there’s a bookmark at the start of Chapter 6. I see from Amazon that the book has been reprinted several times since I bought my copy. The blurb is: The fifteenth book to feature the classic crime-solving detective, Chief Inspector Wexford. The thirteenth of May is famously the unluckiest day of the year. Sergeant Caleb Martin of Kingsmarkham CID had no idea just how terminally unlucky it would prove, as he embarked upon his last day on earth… Ten months later, Wexford is confronted with a murder scene of horrific brutality. At first the bloodbath at Tancred House looks like the desperate work of a burglar panicked into murder. The sole survivor of the massacre, seventeen-year-old Daisy Flory, remembers the events imperfectly, and her confused account of the fatal night seems to confirm this theory. But more and more, Chief Inspector Wexford is convinced that the crime lies closer to home, and that it has sinister links to the murder of Sergeant Martin…

That’s enough to be going on with for the time being.

Hilary Mantel at the Borders Book Festival

Festival Marquee P1080856I was looking forward to Hilary Mantel’s talk last night at the Borders Book Festival in Melrose. I was not disappointed – far from it. It was a memorable evening as we sat in the packed Festival Marquee as Hilary Mantel and Kirsty Wark carried on their conversation. It was brilliant, or as Kirsty said at the end thanking Hilary – ‘it was absolutely fantastic’!

Here are some of my impressions:

Hilary Mantel is not only a fantastic writer she is also an articulate speaker – she is so enthusiastic about her subject and spoke with fluency, clarity, conviction and with power. She began by reading a short extract from Bring Up the Bodies, describing Thomas Cromwell, his appearance and his view of the portrait Hans Holbein had painted.The passage came to life as she spoke the words she had written.

After that the conversation between the two women flowed effortlessly. I’ve seen both on TV and read many of Hilary Mantel’s book but they both have so much more presence in person. It was magnetic and mesmerising as they talked about the process of writing – does Hilary Mantel write her historical novels sequentially moving forward through history? No, she doesn’t. She researches, surrounds herself with her notes, her ideas and jots down descriptions, sections of dialogue and scenes, so that at no point can she answer where she is up to in the book – she cannot tell you the year, how many pages she has written, only that she needs another eighteen months before it will be finished.

She lives in a parallel world – in the present and in the world of Cromwell and Henry VIII, plus all the characters, at one and the same time. It is always with her. When she started to write about Cromwell it was just going to be one book, but that soon changed and at present she is writing about the third book (The Mirror and the Light), leading up to Cromwell’s death. She tries as far as possible to be historically accurate, for the dialogue to be correct, but as a lot of what happened was not recorded – eg there is no transcript of Anne Boleyn’s trial – what she writes is her offering, her interpretation as it were.

I was pleased Kirsty Wark asked her about writing in the present tense (something I often have difficulty reading, but didn’t in either Wolf Hall or Bring Up the Bodies). I can’t remember precisely but I think Hilary Mantel replied that she saw the people as though the scenes were being acted out before and wrote it as it happened. If that is not what she said that is the impression I came away with. I only know that for me in these books it all came to life as I read it with an immediacy that I don’t often find in novels – I was there, not just an observer.

What does Hilary Mantel do in her ‘down time’, what does she read when she is not writing. Well, she doesn’t really have ‘down time’ and she doesn’t read novels when she is writing, she is so immersed in the world she is writing about that she can’t enter anyone else’s world. She reads round the subject, history, sociology etc.

What will she write next – more historical fiction or a contemporary novel? She is not sure – she’s thinking about writing about writing historical fiction – I do hope she does. Maybe not historical fiction itself, as that’s a huge project taking several years to research and plan. When she was 22 she had dreamed of writing historical fiction and wrote her novel about the French Revolution. Then she hadn’t realised that most people this side of the Channel weren’t really interested in the Revolution. Well, actually, I was and I’ve read that novel – A Place of Greater Safety and that’s another epic novel that kept me intrigued, even though I knew the outcome before I read it.

Kirsty Wark even touched on the question of the criticism Hilary Mantel had had over her comments about Kate Middleton. Her reply was a master of diplomacy, but it had upset her that her words had been taken out of context and she expressed her amazement at being woken one morning to find the press camped outside her house two weeks after her speech.

There were a few questions from the audience – would she write a prequel about Thomas Cromwell’s life on the continent, before the events in Wolf Hall. She liked that question but answered that she probably wouldn’t – there was little documentary evidence about all the places he’d been to and what he did, but I’m guessing she would have liked to have attempted it.

There was so much more said  - but I’ll stop here. It was a grand night out – an event I’m delighted to have experienced.

Lilian’s Story by Kate Grenville: a Book Beginnings post

Book Beginnings ButtonBook Beginnings on Friday at Gilion’s blog Rose City Reader is the place to share the first sentence (or so) of the book you are reading, along with your initial thoughts about the sentence, impressions of the book, or anything else the opener inspires.

Lilian’s Story by Kate Grenville begins:

It was a wild night in the year of the Federation that the birth took place. Horses kicked down their stables. Pigs flew, figs grew thorns. the infant mewled and stared and the doctor assured the mother that a caul was a lucky sign. A girl? the father exclaimed, outside in the waiting room, tiled as if for horrible emergencies. This was a contingency he was not prepared for, but he rallied within a day and announced: Lilian. She will be called Lilian Una.

When I returned Sarah Thornhill by Kate Grenville to the library the other day Lilian’s Story was sitting on the shelf and because I’d enjoyed Sarah Thornhill and before that The Secret River I decided to borrow this book, even though I’ve got more than enough books of my own to keep me busy for a long time.

The back cover tells me that Lilian begins life as the daughter of a prosperous middle-class family and ends it as an eccentric bag-lady living on the streets, quoting Shakespeare for a living. I’m hoping it will be as good as the other two of Grenville’s books that I’ve read! This opening is promising, I think.

Wondrous Words

wondrous2Wondrous Words Wednesday is a weekly meme hosted by Kathy at Bermuda Onion where you can share new words that you’ve encountered or spotlight words you love.

I mentioned in my post on A Fearful Madness by Julius Falconer that there were some words I had to check in the dictionary. I’ve used the online Oxford English Dictionary (OED) to check the meaning of the following words

There are some words that I know I’ve looked up before and yet I just can’t remember what they mean and these are two of them:

Egregious: ‘After my consultation with the egregious Croft, I decided that action was what was needed.’ (page 70)

Egregious means:   ’Remarkable in a bad sense; gross, flagrant, outrageous.’ The OED gives four definitions and I think this one fits the context the best. No wonder I can’t remember the meaning with four to chose from!

Exigent: ‘The woman was rough-tongued and exigent beyond belief: do this, do that, hurry up, I’m paying you enough, heaven knows, and so on.’ (page 177)

Exigent means: ‘Requiring a great deal; demanding more than is reasonable; exacting, pressing.’ I did know that after all!

Then there are these words:

Inchoate: ‘He murmured an inchoate prayer for guidance before rising and wandering at random round the church.’ (page 45)

Inchoate  - the OED gives two meanings: ‘Just begun, incipient; in an initial or early stage; hence elementary, imperfect, undeveloped, immature.’ and ‘Chaotic, disordered, confused; also, incoherent, rambling.’ I think the second meaning fits the context better.

Logorrhoeic: ‘Tea will do fine, thank you’. Ravensdale, unsure how best to break into the logorrhoeic flow without causing offence but impatient to hear whether she had any useful information for him or not, let her continue for a bit before broaching the subject of his visit. (page 115)

I thought this must have some connection with words and translated it in my head as ‘verbal diarrhoea’.

 Logorrhoea means ’excessive volubility accompanying some forms of mental illness; also gen., an excessive flow of words, prolixity.’ I think logorrhoea sounds much better than ‘verbal diarrhoea’.

The Third Pig Detective Agency by Bob Burke

Reading The Third Pig Detective Agency by Bob Burke was a complete change of genre for me. It’s funny, a bit silly, a pastiche of American gumshoe crime fiction, and a fantasy  - indeed it’s a fairytale detective story. I did enjoy recognising all the fairy tale characters Bob Burke throws into the mix.

The Third Pig is Harry Pigg, who in his own words:

was the pig that built the house out of bricks while my idiot brothers took the easy route and went for cowboy builders and cheap materials.

Following his success at defeating the Big Bad Wolf, Harry became a detective, finding the two missing kids Hansel and Gretel and then identifying them as the murderers of the little old lady who lived in the gingerbread house.

But work for Harry had almost dried up, so when ‘an oriental gentleman the size and shape of a zeppelin‘, or in other words, Aladdin, the richest man in Grimmtown, accompanied by a sturdy white goat, none other than the eldest of the Gruff Brothers, demands his services, Harry can’t turn him down. Aladdin’s lamp had been stolen, an old battered lamp that he had kept under close guard, protected by hi-tech security and surveillance systems and Harry has to get it back for him. And so Harry sets out in pursuit of the lamp, aided or hindered by numerous characters, finding himself in all sorts of tricky and dangerous situations.

It’s a case of spot the characters from fairy tales and nursery rhymes and it’s most entertaining. Boy Blue, that lazy former shepherd tells Harry the lamp is rumoured to be a magic lamp, but Harry hates magic:

As a working detective it’s bad enough running the risk of being beaten up or thrown into a river with concrete boots on, without having to live with the possibility of being changed into a dung beetle or having a plague of boils inflicted on you. If you think humans were disgusting covered in boils, imagine how I might look.

And Harry just couldn’t have survived without the help of his Apprentice Gumshoe, Jack Horner, who rescues him several times.

There is no doubt that I’ll be reading more of Bob Burke’s books. the next one is The Ho Ho Ho Mystery which starts where The Third Pig Detective Agency ended when a very large lady dressed in black boots, bright red trousers and a hooded jacket came to see Harry and announced:

I need you to find my husband. He’s been kidnapped and it’s only two days to 25th December. If he’s not found soon we may have to cancel Christmas.

Carl’s Once Upon a Time VII challenge is coming to an end soon (21 June) and this is the fourth book I’ve finished. I may make five (my target for the challenge).

A Fearful Madness

I received A Fearful Madness by Julius Falconer as a free review copy through LibraryThing. I hadn’t come across any of Falconer’s books before but the LibraryThing Early Reviewers’ description interested me enough to request a copy:

A police investigation into the violent death of a part-time cathedral verger stalls for lack of incriminating evidence. However, three people have a close interest in clearing the matter up where the police have failed: the dead man’s sister, anxious to see justice done, and two of the police suspects, both released without charge but keen to clear their names.

Striking out on their own, each approaches the murder from a different perspective: book-trafficking on the black market; revenge by an extremist religious organisation for the dead man’s betrayal of them; and retaliation in a case of blackmail. The police continue to maintain that the murder was committed out of sexual anger, even though they have no proof apart from the circumstances of the verger’s death.

Eventually DI Moat and his assistant DS Stockwell, from the North Yorkshire Force, take a hand. Moat pays his predecessors in the investigation, both professional and amateur, the compliment of taking their findings seriously – but comes up with an idea of his own.

My view:

Julius Falconer uses language in a more formal way than many other modern authors. His sentences are carefully punctuated, his vocabulary is extensive (meaning there are some words I had to check in the dictionary – and one or two weren’t in my dictionary) and he uses many literary references and illusions. I like his style of writing, although in parts it does tend to be long-winded.

It’s a complex book, following each of the three investigations – some of which seem highly unlikely, but then they do say that truth is stranger than fiction.Two people had been suspected of murdering James Thwaites, the verger, but the police were unable to produce any evidence and the cases against them were dropped. It appeared he had been stealing rare and valuable books from the cathedral and selling them on the black market. I was intrigued by the book-trafficking business which on the one hand was highly organised involving the use of white van drivers, and on the other seemed remarkably lax!

A bearded man was seen outside Thwaites’s house on the evening of the murder and Matthias Biddulph, one of the original suspects, who had been in a relationship with Thwaites hires a private investigator to find him. Another possible motive for the murder is Thwaites’s involvement with an eccentric version of Christianity – the Anti-Church of Jesus Christ, set up in opposition to the Anglican Church, which his sister Serenity investigates.

For the most part, I rather enjoyed reading A Fearful Madness, although I had little idea how it would end – the verger’s will is of significance, but that only features towards the end of the book (unless I missed an earlier reference). I think this is possibly the weakest part of the book when the culprit confesses to the murder. Having said that, I liked it well enough to read more of Falconer’s books and have downloaded Jagger onto my Kindle.

Julius Falconer has written several books. Formerly, a teacher, he began writing detective novels in 2009. His website, with the sub-tile of Erudite Crime Novels for the Connoisseur,  includes details of his books and an account of The Falconer Style.

the letter JThis is my contribution to Kerrie’s Crime Fiction Alphabet for the letter J. In previous years I’ve contributed to the meme for each letter of the alphabet, but for this series I’m joining in only occasionally.

Cards on the Table by Agatha Christie

I think Cards on the Table is one of the best of Agatha Christie’s books. It was first published in 1936 and has been reprinted many times since then. My copy is a Pan Books edition published in 1951 with this cover:

Cards on the Table

From the back cover:

Mr Shaitana is a collector. He collects snuff boxes, Egyptian antiquities … and … murderers.

His murderers are of the very finest. Not the second rate individuals who are caught and convicted. Delighting in his role as a modern Mephistopheles, Shaitana gathers his four murderers for an evening of cards.

Before the evening ends, Mr Shaitana will himself be a murder victim. How very fortunate that he invited a fifth guest to his gathering, M. Hercule Poirot.

One of the things that pleased me about this book is Agatha Christie’s Foreword in which she states that it is not the sort of detective story where the least likely person is the one to have committed the crime. This story has just four suspects and any one of them ‘given the right circumstances‘ might have committed the crime. She goes on to explain that there are four distinct types, the motives are peculiar to each person and each would employ a different method. She concludes:

The deduction must, therefore, be entirely psychological, but it is none the less interesting for that, because when all is said and done it is the mind of the murderer that is of supreme interest.

All of which suits Poirot down to the ground as he considers the psychology of each of the four suspects, Dr Roberts, a very popular doctor who may have killed a patient or two, Mrs Lorimer, a first-class bridge player and a widow who husband died under suspicious circumstances, Major Despard, a daring character, an explorer who possibly killed a botanist whilst on an expedition up the Amazon, and Anne Meredith, a young woman, a timid and careful bridge player, who may have poisoned her employer.

Poirot is not on his own, also at the bridge party were Superintendent Battle, a stolid officer from Scotland Yard (he first appeared in The Secret of Chimneys), Colonel Race, a Secret Service agent (he first appeared in The Seven Dials Mystery), and Mrs Ariadne Oliver, writer of popular detective fiction, (meeting Poirot for the first time). It helps if you can play bridge to understand  how Poirot uncovered the murderer, but it’s not necessary – I managed with just a minimal memory of the card game, and it all hinges on the psychology of the characters anyway.

As Ariadne Oliver is used by Agatha Christie to convey some of her own opinions I wondered whether this description of her physical appearance was how she viewed herself:

… she was an agreeable woman of middle age, handsome in a rather untidy fashion with fine eyes, substantial shoulders and a large quantity of rebellious grey hair with which she was continually experimenting. One day her appearance would be highly intellectual – a brow with the hair scraped back from it and coiled in a large bun in the neck – on another Mrs Oliver would suddenly appear with Madonna loops, or large masses of slightly untidy curls. On this particular evening Mrs Oliver was trying out a fringe. (page 13)

I think there is no doubt that Ariadne’s views on writing and on the character of her detective are Agatha Christie’s own views. For ‘Finn’ in the extract quoted below read ‘Belgian’:

… I regret only one thing – making my detective a Finn. I don’t really know anything about Finns and I’m always getting letters from Finland pointing out something impossible that he’s said or done. (page 55)

And this must be from her own experience too:

I’m always getting tangled up in horticulture and things like that. People write to me and say I’ve got the wrong flowers all out together. As though it mattered – and, anyway, they are all out together in a London shop. (page 110)

And this about writing?:

One actually has to think, you know. And thinking is always a bore. And you have to plan things. And then one gets stuck every now and then, and you feel you’ll never get out of the mess – but you do! Writing’s not particularly enjoyable. It’s hard work, like everything else. …

Some days I can only keep going by repeating over and over to myself the amount of money I might get for my next serial rights. That spurs me on, you know. So does your bank-book when you see how much overdrawn you are. …

‘I can always think about things,’ said Mrs Oliver happily. ‘What is so tiring is writing them down. I always think I’ve finished, and then when I count up I find I’ve only written thirty thousand words instead of sixty thousand, and so then I have to throw in another murder and get the heroine kidnapped again. It’s all very boring.’ (pages 110 – 111)

But back to the mystery, Mr Shaitana is murdered whilst his guests are playing bridge. Two games were set up – one made up of the four people he considered were murderers and the other in a separate room made up of the four detectives or investigators of crime. Mr Shaitana sat by the fire in the room with the murderers. When the four detectives finished their game they return to the other room where they find the game still in progress and Mr Shaitana still sitting by the fire – stabbed in the chest with an ornamental dagger.

What follows is that each detective carries out their own investigations and as I read I swung from one suspect to the other, but I was never really sure who the culprit was. Poirot is his usual brilliant self even though at one point he is astonished and upset at the possibility that he might be wrong:

‘Always I am right. It is so invariable that it startles me. But now it looks as though I am wrong. And that upsets me. (page 163)

But was he wrong?

Sarah Thornhill by Kate Grenville

A few thoughts on Sarah Thornhill:

I wrote about the opening paragraphs of this book in a Book Beginnings post; paragraphs that made me want to read on with promise of a good story. And that is what I got – it’s basically a love story set in 19th century Australia, where the convicts, transported or ‘sent out‘ are  now called ‘old colonists‘.

There is prejudice – some people, those who had ‘come free‘,  thought being ‘sent out‘ meant you were tainted for all time, but for others having money and land overcame their distaste. And then there is the prejudice about the ‘blacks’. When Sarah, the daughter of William Thornhill, an ‘old colonist’ and now a landowner on the Hawkesbury River, falls in love with Jack Langland, whose mother was a native woman, racial prejudice and hatred rear their ugly heads.

I loved this book, which kept me captivated from start to finish, as the secrets of the Thornhill family are brought to light. I liked the narrative, told in Sarah’s voice, that of an uneducated young woman, struggling to understand what had happened and why. I found the dialogue convincing, and I could visualise the landscape and the hardships of life in that place and time. I was also totally involved with the characters, all of which made the book come alive for me.

I think it stands well alone, but it is the sequel to The Secret River and it does reveals a significant part of that book, so be aware of that if you haven’t read The Secret River.