Friday Finds – Books and a Bookshop

New-to-me books this week are Naming the Bones by Louise Welsh,  and The Sisters who would be Queen by Leanda de Lisle.

Louise Welsh is the author of The Cutting Room, a dark mystery, which I read several years ago and thought was good, if rather scary. Naming the Bones looks promising:

Knee-deep in the mud of an ancient burial ground, a winter storm raging around him, and at least one person intent on his death: how did Murray Watson end up here? (Blurb on the back cover)

Dipping into the book I see that the story moves from Edinborough and Glaslow to the Isle of Lismore a small island off the west coast of Scotland. I’m tempted to start reading at once and as I’m nearing the end of Barbara Vine’s A Dark Adapted Eye I think this will be my next book.

I seem to be drawn these last few months to the Tudor period. Having read fiction - Wolf Hall by Hilary Mantel (Thomas Cromwell) and currently reading Portrait of an Unknown Woman (Thomas More’s family) I also bought a book of non-fiction, namely The Sisters who would be Queen: the tragedy of Mary, Katherine and Lady Jane Grey by Leanda de Lisle. This is the story of the tumultuous lives of Lady Jane Grey, known as the “Nine-Day Queen”,  and her sisters. I nearly didn’t buy this book as I don’t like pictures of headless women on book covers! But the blurb by Julian Fellowes attracted my attention:

An enthralling story of tyranny and betrayal … meticulous history that reads like a bestselling novel.

I bought these books in a real bookshop – Main Street Books in St Boswell’s. I first found out about this shop from Cornflower’s blog (where she has lovely photos of the shop) and it is a real find – not only books, but a cafe and gift shop and they also sell antiques. We’d been to Melrose and stopped in Main Street Books on the way home (just a short detour), where we browsed and had lunch.

Friday Finds is  hosted by Should Be Reading.

Agatha Christie and the Eleven Missing Days by Jared Cade

In December 1926 Agatha Christie disappeared from her home, Styles, in Berkshire. She was found eleven days later in a hotel in Harrogate, Yorkshire apparently suffering from amnesia. Agatha Christie and the Eleven Missing Days by Jared Cade delves into the mystery of her disappearance. The book is not just about those eleven days but is a biography that reveals how those eleven days and the events that led up to her disappearance influenced the rest of her life.

Agatha’s Autobiography is silent on the matter. She recalls how they chose Styles, remarking that it was an unlucky house and that she had felt it as soon as she moved in. She then moved swiftly on merely saying:

The next year of my life is one I hate recalling. As so often in life, when one thing goes wrong, everything goes wrong. (page 356)

Sadly she was  right, as Jared Cade reveals from information given to him by Judith and Graham Gardner. Judith’s mother was Nan Watts, Agatha’s sister-in-law and life-long friend. They showed him photographs and private letters shedding light on the situation.  It makes a fascinating book. I did feel as though I was intruding into Agatha Christie’s private life that she had not wanted made known but Cade writes sympathetically. Now I really must read her life story in her own words, as so far I’ve only dipped into it reading snippets here and there.

The Rebecca Notebook & Other Memories by Daphne Du Maurier

Why do writers write? How do they go about it? What inspires them? The Rebecca Notebook and Other Memories gives a glimpse into the mind of Daphne Du Maurier.

Du Maurier began to write Rebecca in 1937 when she was thirty years old, living in Alexandria and feeling homesick for Cornwall. She jotted down chapter summaries in a notebook, setting the book in the mid 1920s ‘about a young wife and her slightly older husband, living in a beautiful house that had been in his family for generations.’ As she thought about it ideas sprang to her mind – a first wife – jealousy, something terrible would happen – a wreck at sea. She became immersed in the story, losing herself in the plot, as so many of us have done ever since.

One question that many people asked her was why she never gave the heroine a name and her answer is so simple – she couldn’t think of one and ‘it became a challenge in technique, the easier because I was writing in the first person.’ I thought this was quite surprising – if it had been me I would have not been able to write it without giving the heroine a name. It’s almost as if Du Maurier identified with her heroine so much that a name wasn’t necessary. It has puzzled me for years and now reading the reason she has no name I’m even more puzzled. See comments.

She made changes to the final published version of Rebecca merging the epilogue into the first chapter and changing the husband’s name from Henry, which she thought dull, to Max and making the housekeeper, Mrs Danvers, more sinister.

I enjoyed the other short pieces in this book – her ‘memories’ of her family and her own life and beliefs. The first three are about her grandfather, George Du Maurier, her father, Gerald and her cousins, the Davies boys. She wrote with nostalgia about George, who was an artist and writer – ‘a man who worshipped beauty’ and Gerald, who she described as ‘the matinee idol’, a leading actor-manager in the 1920s and early 30s.

Then there are memoirs on her thoughts entitled My Name in Lights, Romantic Love, This I Believe and Death and Widowhood. She disliked the ‘trappings of success’, thought there was no such thing as ‘romantic love’. The ‘sceptic of seven who queried the existence of God in the sky, of fairies in the woods, of Father Christmas descending every London chimney in a single magic night, remains a sceptic at fifty-seven, believing all things possible only when they can be proved by scientific fact.’

She wrote Death and Widowhood with the aim of helping others ‘who have suffered in a similar fashion’, about her husband’s death and the finality of being alone, pondering on immortality and the practicalities of daily life.

There are descriptions of finding the house she loved, Menabilly, of the upheaval of leaving it, and the move to Kilmarth (the house she wrote about in her novel The House on the Strand.)

Sunday (written in 1976) looks back on that day’s events when she was a child contrasted with the events of that day in her old age – a day for privacy and reflecting on the miracle of creation and a Creator. Finally, there are three poems, The Writer (1926), Another World (1947) and A Prayer (1967).

Mine is the silence

And the quiet gloom

Of a clock ticking

In an empty room,

The scratch of a pen,

Inkpot and paper,

And the patter of rain.

Nothing but this as long as I am able,

Firelight – and a chair, and a table.

(from The Writer, 1926)

Poetic Lives:Shelley by Daniel Hahn

I didn’t know much about Shelley before I read Poetic Lives: Shelley by Daniel Hahn. This biography gives brief details of Percy Bysshe Shelley’s short but extraordinary life, from his birth in 1792 to his early death in 1822, shortly before his thirtieth birthday.

The opening paragraph caught my immediate attention in pointing out that Shelley was not that far away from the present day. Although he was born during the reign of mad King George III when there were struggles for independence in Europe – the French Revolution and then Napoleon’s rise to power, his granddaughter saw the sinking of the Titanic, the First World War and the Great Depression.

Shelley was an unhappy child, an unconventional teenager, an atheist and a radical reformer. He was expelled from Oxford University before he could complete his degree and was at odds with his father. He eloped with the daughter of a coffee-shop owner in 1811 but after three years the marriage was over when he met Mary Godwin. He was constantly in poor health and for much of the rest of his life they lived a nomadic existence travelling around Italy and France.

Hahn also quotes extracts from Shelley’s poems and prose. He also uses various sources such as Shelley’s friend Thomas Hogg, who wrote his Life of Shelley in 1857, Shelley’s cousin Tom Medwin who published a memoir of Shelley and a two-volume Life of Percy Bysshe Shelley in 1847 and another friend, Edward Trelawney who wrote Recollections of the Last Days of Shelley and Byron in 1858.

I found parts of the book moving, Shelley’s  reaction to John Keats’s death for example and the events of his own death, but on the whole it is a prosaic account of Shelley’s life. Hahn’s repetitive use of the word “would” was irritating. It has interested me enough to want to read more about Shelley and his poems. I have started reading  Ann Wroe’s book Being Shelley: the Poet’s Search for Himself, which promises to be a much fuller account and also more about him as a poet. More about that book another time.

I received Poetic Lives:Shelley from the publishers via LibraryThing’s Early Reviewers’ Programme.

It’s All About Me – Booking Through Thursday

btt button

Deb’s question today is: Which do you prefer? Biographies written about someone? Or Autobiographies written by the actual person (and/or ghost-writer)?

I’m not sure I can decide which I prefer.

I read both biographies and autobiographies and they both have their pros and cons. Both can be biased and written to present a certain portrait, either flattering or otherwise. Biographers are trying to reconstruct a person’s life from different sources, including letters, diaries, and personal accounts. The end result may seem as if it is factual, but it is an interpretation and quasi-fictional. I don’t like biographies that make general assumptions about a person’s thoughts and motives based on speculation and the author’s own views and impressions.

Inevitably neither a biography nor an autobiography can retell the whole of a person’s life so there has to be a selection and the skill is deciding what to include and what to leave out. This does of course mean that secrets/events a person doesn’t want reveal may be revealed by a biographer with a particular axe to grind or be left out to paint a more flattering portrait.

A good example of a biography is Jane Austen: a Life by Claire Tomalin. It’s well researched, detailed, based on documentary evidence such as diaries and Jane Austen’s own letters.

Memoirs are what a person remembers about their life. Generally they’re more about a particular part of a life rather than the whole. I’ve recently read Somewhere Towards the End by Diana Athill, which is a good example of an autobiography/memoir. It won the Costa Biography Award in 2008 and I think the judges comment sums up what makes a good autobiography/biography:

A perfect memoir of old age - candid, detailed, charming, totally lacking in self-pity or sentimentality and, above all, beautifully, beautifully written.

 

Jane Austen: a Life by Claire Tomalin

jane-austen-tomalinIt’s been a few weeks since I finished reading Jane Austen: a Life by Claire Tomalin. I listed this book as one I hadn’t reviewed in a Weekly Geeks post  - the idea being to spur me on to writing the outstanding reviews and invite questions about the books from other book bloggers.

Dorothy, who sent me the book and who writes Of Books and Bicycles asked Were there things you learned in the book that surprised you? And Eva who writes A Striped Armchair’s questions are - Are you a big Austen fan? Did reading her biography enhance her fiction for you, or take something away? Is Tomalin a relatively objective biographer?

My outstanding impression of the book is how amazingly detailed it is given the fact that few records of her life have survived. It did surprise me a little that Claire Tomalin admits that it was not an easy story to investigate, but explained that Jane Austen wrote no autobiographical notes and if she kept any diaries they did not survive her. Most of her letters to her sister Cassandra were destroyed by Cassandra and a niece destroyed those she had written to one of her brothers. However, 160 letters remain and there is a biographical note of just a few pages written by her brother, Henry after her death. He explained that her life “was not by any means a life of event.” But as Tomalin discovered her life was “full of events, of distress and even trauma, which left marks upon her as permanent as any blacking factory.”

As I’d previously read Carol Shields’s biography of Austen there was really very little I learned reading this book that surprised me – I already knew the outline of her life, that she was considered rather unrefined by her relatives and of her love for Tom Lefroy who eventually married an heiress.

In answer to Eva’s questions I have loved Jane Austen’s books for years – since reading Pride and Prejudice as a young teenager. I’ve also enjoyed and been impressed by Claire Tomalin’s biographies. Reading her biography of Austen has enhanced my reading of her fiction, setting them in the context of her world. Jane Austen was not remote from the events of her day, with brothers in the navy, and England at war with France.  Tomalin is a relatively objective biographer although every now and then she voices opinions based on her impressions, such as this one concerning Jane’s lack of vanity and efforts to be concerned with fashion and dress design:

In her letters she may comment on the fact that ladies are wearing fruit on their hats, and that it seems more natural to have flowers growing out of the head, and be precise about the colour she requires for dress material; but the impression we get is that, had she lived two hundred years later, she would have rejoiced in the freedom of an old pair of trousers, with a tweed skirt for church, and one decent dress kept for evening. (pages 112 – 113)

But mainly she sticks to the facts, gleaned from the documentary material and concludes that Jane Austen

 …  is as elusive as a cloud in the night sky.

She has a way of sending biographers away feeling that as Lord David Cecil put it, she remains “as no doubt she would have wished – not an intimate but an acquaintance. “  Her sharpness and refusal to suffer fools, makes you fearful of intruding, misinterpreting, crassly misreading the evidence. (page 285)

I thoroughly enjoyed reading this book and particularly liked the quotations from Austen’s letters and the details about her family and friends.

map-of-steventon I always like maps and thought this map at the front of the book showing Steventon and the Austens’  Hampshire Neighbours was a useful feature – I consulted it regularly. The End Notes are good, giving information on the sources and there is also a helpful index.

This Time Five Years Ago

I’ve previously written about what I was reading ten years ago so when I read Literary Feline’s post about the books she read in January 2004. I thought I’d have a look at what I was reading five years ago. It was in that month that I once again tried to keep track of my reading – I hadn’t recorded my reading since February 2003!  Even then it seemed to be a bit of a hit and miss affair.  I just jotted down a few details about each book.

The first entry in January 2004 is Iris by A N Wilson. A year earlier I’d read John Bayley’s iris-by-conradibiographies of Iris, which I found rather uncomfortable reading with maybe too many personal details for my liking. Iris had died in February 1999 after suffering from Alzheimer’s Disease. I’d also read Iris Murdoch: a Life by Peter J Conradi. This is a very different account of Iris. I’d noted that it was “very long and detailed – mainly a literary biography – OK when I had read the books – most interesting when about events and descriptions of her and John.”

iris-by-wilsonA N Wilson’s biography is very different yet again and all I noted was that it was interesting because of that. This book received some very critical reviews, but I didn’t know that when I read it.  It made me want to read more of her books so I then read The Italian Girl as that was the only book by her on the shelf in the library. I thought it was “quite strange with unattractive characters”. I enjoyed it though and thought it “does make you want to know more about them, what happens and why. Not a book to re-read.”  

Unlike the next book I read – Middlemarch by George Eliot, which I thought was “very good, middlemarchvery long and in places too wordy, but excellent in character description, analysis and plot development. I’d seen it on TV but long enough ago to forget what the characters looked like so it was easy to use my own imagination. Lots of different characters and much social background of 19th century England.” I still dislike having TV or film adaptations of books intruding into my own vision of how the characters look.

solitaireThe last book I wrote about in January 2004 was The Solitaire Mystery by Jostein Gaarder (who wrote Sophie’s World, that I’d read earlier). I described this as full of philosophical ideas, a story within a story – fantasy/reality/philosophy – about a boy and his father travelling from Norway to Greece in search of the boy’s mother. A dwarf gives the boy a magnifying glass and a baker gives him a miniature book telling the story of a sailor shipwrecked on a desert island in 1790. There is also a pack of playing cards with lives of their own, including a Joker (his father collects Jokers). These are all things he needs to solve the mystery. Unlike Sophie’s World this doesn’t mention specific philosophers but discusses ideas about destiny, the supernatural, conincidences and the reality of the everday world.

I wouldn’t mind re-reading these books, even The Italian Girl!

Wild Mary

I’m still catching up with writing about books I read last year. Wild Mary by Patrick Marnham is a biography of Mary Wesley, the author of Camomile Lawn and other books. My only knowledge of her before reading this was that her first book was published when she was 70 and my impression was that she had only started to write later in her life. That was not the case, however, as she had been writing for many years and had had two children’s books published.

She had an extraordinary life – born in 1912, her mother told her she had been an unwanted child, that it would have been better if she had been born a boy and that she and Mary’s father loved Susan, her sister, more. She married Lord Swinfen and later said that she had done so to get away from her mother. She was soon bored and began a series of love affairs.

The couple eventually divorced in 1945. In 1944 she had met and fallen passionately in love with Eric Siepmann, a penniless writer, then unhappily married to Phyllis, who embarked on a campaign against him, resulting in him losing first one and then another job. Mary and Eric were married in 1952 just two weeks after his divorce. She was devasted when he died in 1970.

Wild Mary is a detailed book about a complicated life written at Mary’s invitation, based on her personal papers, and conversations between Mary and Patrick Manham in 2002. One of the most fascinating things about Mary’s life for me was her wartime experiences, working for MI5 in the decoding unit. She was an intensely private person who lived her life dividing it into compartments. As Patrick Marnham describes:

Almost everyone who remembered Mary Siepmann agreed on one thing; she lived her life in separate compartments. In love and friendship she was happiest with one-to-one relationships, and when she loved her love grew from a response to the distinct separate personality that confronted her own. She had three sons but in the last twenty five years of her life she never invited them to her house at the same time. Her sons, with three different fathers, also had three different mothers – since she could be a different person to each when she saw each alone; and she never shared a child with its father.

She was estranged from her oldest son Roger (due to a legal case between him and his half-brother Toby) but two months before she died he visited her and it had been nearly 30 years since they had seen each other!

I found Marnham’s portrayal of Mary Wesley difficult to follow in parts, maybe because there was so much intrigue and rumour surrounding her life which he was disentangling and at times I thought I certainly wouldn’t like to have met Mary. She seems to have been a difficult and determined woman who aroused strong passions in those who knew and loved her. Although Marnham highlights the links between Mary’s own life and the novels she wrote this biography did not make me want to rush out and read more of her novels.

The Life of Dodie Smith

I’ve just finished reading Dear Dodie: the life of Dodie Smith by Valerie Grove. It has taken some time to read as at first I only read short sections at a sitting. This week I have spent more time on it - one reason being that it is a library book and I can’t renew it. I do like biographies and this is no exception. It is very readable and gives a very full picture of Dodie’s life, and it has an excellent index (always a plus for me).

I think the best way to sum up this book is to quote these extracts (some are very long, but I wanted to quote in full as I have to return the book):

Of the six plays and six novels that Dodie published between 1931 and 1967, at least one play and one novel will stand in a class of their own. Her life was essentially limited and, to a degree, pampered. Though she had to struggle in her actress days, even at her poorest she never cooked herself a meal, and even as a ‘shopgirl’ there was always someone to wake her and fetch her breakfast. After her mother’s death, she never had to look after anyone – husband, children or aged parents: and she was nannied by her husband for fifty years. A writer who has no family, no responsibility for other people, nobody to consider but himself and his own work (and there are legions of such writers, most of them men) lives a peculiarly privileged and self-indulgent life. But however self-absorbed, she was always curious about others, perceptive, incisive, extravagant, obsessively hard-working and oddly vulnerable. One cannot help liking Dodie for her spirit and humour. (page 323)

 She had a compelling presence; she talked precisely, listened intently; and her indomitable determination and diligence in the face of her own fading appeal were quite remarkable. (page 323)

From Dodie herself:

I am constantly trying to possess life, to save it up, to bring the then into now, and make it available for ever. (page 324)

Dodie Smith was born in 1896 and died in 1990. During her lifetime the world when through enormous changes and numerous wars. This biography not only relates Dodie’s life, but is also a record of those years, containing so much about the changing society, culture, values and recalling an unknown (to me at any rate) theatrical age.

She was the author of two classics – I Capture the Castle and The Hundred and One Dalmatians. Those are the two works that I knew before reading this book. She was also an acclaimed playwright and her plays receiving most praise were Autumn Crocus and Dear Octopus. This book has triggered my interest in reading these plays and more of Dodie’s books. She wrote millions of words, mostly about herself – in her journals and five volumes of autobiography. She simply loved writing. But at times she became depressed and stuck:

The death of Hitler was announced on 2 May 1945, the eve of Dodie’s forty-ninth birthday. In the ensuing week, when the European war reached its end – the very thing she longed for – she found she had a terrifying case of writer’s nerves. ‘My inner ear – that faculty for hearing every word spoken in my head before I write it – suddenly went out of gear; or it had become impossible to pull it out of gear because it never stopped morning or night. It worked while I was writing, reading and even sleeping. Always I heard the words battering at me, trying to form their own satisfactory sentences. I became obsessed by rhythm. I have always fussed about the balance of my writing but in a very amatuer way. Only recently it dawned on me that every word of a novel ought to be as carefully balanced as every speech in a play. Since then, life has been quite nightmarish. I found I was trying to impose on sentences the rhythm of poetry. I heard every word that was said with exaggerated accents. Moreover I couldn’t get any relaxation in reading because my ear listened to the rhythm of everything I read and I couldn’t take in the sense. And nights have been almost more exhausting than the days for I dreamed in words as well as happenings.’ (pages 166 -7)

One touching note – Dodie’s last Dalmatian, Charley, slept on the floor by her side on guard, as it were, during her final days. Dodie left £2000 in her will for ‘the utmost care and protection of Charley’, but three weeks after her departure he died.

Charles Dodgson/Lewis Carroll

It has taken me a long time to read this biography of Charles Dodgson (Lewis Carroll). At times I nearly stopped reading it as Cohen makes so many assumptions and speculates seemingly with little evidence to support his interpretation of the facts. His account of Charles Dodgson’s life is basically chronological, but because he also looks at different aspects of Charles’s life it is a bit repetitive. As biographies go this is not one of the most straightforward or readable. It’s extremely detailed and at nearly 600 pages it is not a quick read.

Cohen uses many sources, including the published Diaries and Letters of Lewis Carroll, along with earlier biographies and magazine articles. There is an extensive index and the chapters are extensively annotated. It is also a very well illustrated book, including many photographs taken by Charles Dodgson as well as reproductions of illustrations from his works and facsimile copies of his letters.

I’m reading Hermione Lee’s Body Parts: essays in life-writing and she quotes a passage from Virginia Woolf on the reductive effects of biography, which I think, is very apt. Woolf compares the writing of biography to the examination of species under a microscope and considers that we arrange what we see about a person and read into their sayings all kinds of meaning that they never thought of. Because of the mass of material available this means that Cohen has inevitably had to select what to include and what to omit and there many places in his biography where he has hypothesised and interpreted the events in Charles Dodgson’s life. For me there are too many questions that Cohen asks and suggest answers which he uses to pyschoanalyse Dodgson’s personality. The parts of the book that I liked best are those about the production of the Alice books, Charles’s interest in photography, his beliefs, and love of games, puzzles and inventions.

Charles Lutwidge Dodgson was born on 27 January 1832 at Daresbury in Cheshire and died on January 14 1898 at Guildford. He was tall and slim, had a stammer, was deaf in his right ear, was generous, sociable and had many friends. Charles told one correspondent that he used the name “Lewis Carroll” rather than his own name “in order to avoid all personal publicity. “ Charles attended Rugby School from 1846 to 1849, went to Christ Church Oxford University where he was awarded a BA with First Class Honours in Mathematics in 1854, eventually becoming the Mathematical Lecturer (until 1881). As well as the books he published as Lewis Carroll, Charles also wrote and published many mathematical works.
Cohen recounts the story of how Charles came to write the Alice books. In 1862, he and his friend Duckworth were rowing on the river at Nuneham with the three Liddell sisters, Ina, Alice and Edith. Charles told them the story of Alice down the rabbit hole and Alice liked it so much that she pestered him to write it down for her. It was two and half years later that he completed his manuscript, illustrated with his own drawings. The book was eventually published in 1865, with the well-known illustrations by Tenniel. I was interested to read how Charles went about writing:“Sometimes an idea comes at night, when I have had to get up and strike a light to note it down – sometimes when out on a lonely winter walk, when I have had to stop, and with half-frozen fingers jot down a few words which should keep the new-born idea from perishing … I cannot set invention going like a clock, by any voluntary winding up … Alice and Looking-Glass are made up almost wholly of bits and scraps, single ideas which came out of themselves. Poor they may have been; but at least they were the best I had to offer.”

He was ordained as Deacon in 1862 but never took full orders as a priest. He was deeply religious, but took a moderate and tolerant view of others’ beliefs. He was not a “High Churchman”, was repelled by ritualism, did not believe in eternal punishment, and refused to exclude non-Christians from salvation. Side by side with his religious beliefs Charles was also interested in psychical research and was a charter member of the Society for Psychical Research along with Conan Doyle, Gladstone, A J Balfour, Frederic Leighton, Ruskin and many more. He took a particular interest in ghost stories and ghost pictures, spiritualism, thought transmission and supernatural phenomena. He was also a keen photographer and theatregoer and was acquainted with the Terry family.

Charles had many other interests. He loved games, puzzles and gadgets and was very inventive. He invented amongst other ingenious objects, a chessboard to use when travelling; a Nyctograph for taking notes under the covers at night – this was in the days before the college rooms at Oxford had electricity; a variety of word games and games of logic, a game of circular billiards, a rule for finding the day of the week for any date; new rules for elimination for tennis tournaments; new systems of parliamentary representation; a device for helping a bedridden invalid to read a book placed sideways; a new sort of postal money order; and many other things. He was an accomplished conjurer and a collector of toys, games and puzzles and mechanical and technological inventions as well as music boxes, fountain pens and pencil sharpeners.

When he heard that Charles Babbage had invented a new calculating machine in 1867 he met Babbage, who showed him over his workshops. Charles then bought a calculating machine and in 1877 an “electric pen”, recently invented and patented by Edison. In 1888 he bought an early model of the “Hammond Type-Writer” which he used to write letters and entertain his child visitors. In 1890 he went to the London exhibition of “Edison’s Phonograph”, which he thought was “a marvellous invention”. When he heard the “private audience part”, he recorded that“Listening through tubes, with the nozzle to one’s ear, is far better and more articulate than with the funnel: also the music is much sweeter. It is a pity that we are not fifty years further on in the world’s history, so as to get this wonderful invention in its perfect form. It is now in its infancy – the new wonder of the day, just as I remember Photography was about 1850.”

Much of the book is taken up with Charles’s writings as Lewis Carroll, his relationship with the Liddell family and his friendship with many children, apparently mainly young girls. The relationship between Charles and the Liddells has been the subject of some controversy and there is a mystery surrounding the disagreement that led to a breakdown of the friendship. Cohen analyses and speculates for many pages on this and on the implications of Charles’s friendship with young girls. I didn’t like it, nor did I like the chapters on Charles’s interest in child photography. Morton quotes from a letter Charles wrote to his sister in1893, in reply to her letter about the gossip she had heard:

“You, and your husband have, I think, been very fortunate to know so little by experience … of the wicked recklessness with which people repeat things to the disadvantage of others, without a though as to whether they have grounds for asserting what they say. I have met with a good deal of utter misrepresentation of that kind.”

He went on to explain that he applied two tests when having a particular “girl-friend” as a guest. These were first his own conscience, whether he felt it to be entirely innocent and right, in the sight of God and secondly, whether he had the full approval of the friend’s parents for what he did. He continued: “Anybody who is spoken about at all, is sure to be spoken against by somebody: and any action, however innocent in itself, is liable, and not at all unlikely, to be blamed by somebody. If you limit your actions in life to things that nobody can possibly find fault with, you will not do much!” Enough said, I think.

Charles Dodgson had enormous energy, worked extremely hard in all he did, was concerned and engaged in many of the topical and political issues of his times, was deeply and sincerely religious and produced the Alice books, that have been widely praised and acclaimed since they were first published. He had a great many friends and his generosity was boundless, both to his family and to others wherever he saw a need. He loved giving presents (unbirthday presents, like Humpty Dumpty in Through the Looking Glass), and gave away many copies of his books to children’s hospitals, mechanics institutes and village reading rooms. He was known and welcomed for his gift for making people laugh. Morton Cohen writes: “Humor and its concomitant laughter are surely minor miracles, overflowings of a mysterious inner force, momentary flourishes like lightning or a rainbow. They come from where we know not where and last but a fleeting second. Charles was one of those rare artists who could create those flashes, and did, to divert and amuse others.”

This book has increased my interest in Charles Dodgson. Other writers have written biographies, giving a different interpretation of his life from Cohen’s. In particular I would like to read In the Shadow of the Dreamchild by Karoline Leach – see also the website The Carroll Myth.