Category Archives: Art

ABC Wednesday: P is for …

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… Peter Rabbit and Beatrix Potter

Peter Rabbit first made his appearance in 1902 in Beatrix Potter’s The Tale of Peter Rabbit.

Peter was a very naughty rabbit, who disobeyed his mother, despite being told the terrible fate of his father who had had an accident in Mr McGregor’s garden and was put into a pie by Mrs McGregor. He squeezed under the gate into the garden, ate lots of vegetables and then came face to face with Mr McGregor and escaped by the skin of his teeth.

Helen Beatrix Potter (28 July 1866 – 22 December 1943) was an English author, illustrator, mycologist and conservationist best known for children’s books featuring anthropomorphic characters such as in The Tale of Peter Rabbit which celebrated the British landscape and rural lifestyle. (From Wikipedia)

Her original watercolour paintings and sketches are in the Beatrix Potter Gallery at Hawkshead, Cumbria. Hill Top, the house which she bought with the proceeds from sales of her books and which she used as an artistic retreat from London, is in Near Sawrey, near Hawkshead. She left it to the National Trust. It is open to the public and it remains just as it was when Beatrix lived there.

I love the watercolours in her books and this is my attempt at painting Peter Rabbit, copied from The Tale of Peter Rabbit.

An ABC Wednesday post.

Weekend Books & A New Challenge

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This weekend I’ve been reading:

  • The Private Patient by P D James. I finished this yesterday and I’ll be writing about it for the next Crime Fiction Alphabet post this week.
  • The Blood Detective by Dan Waddell. I started this a few days ago.

I see that José Ignacio from The Game’s Afoot has found an interesting challenge and it is indeed a challenge:

2011 Challenge “Do not Accumulate, Read!!”

The rules are simple, before you buy another book, make a list of six from your TBR pile and read them. Once done you can go ahead, buy the book and, of course, read it. At the same time make another list of six books before buying the next one, and so on and so forth.

This will be difficult as this last week I’ve acquired nine books (bought and borrowed) and so I should make nine lists (and read 54 books) before I buy/acquire any more. That is some challenge, so I’m going to start the challenge from today and read 6 of my to-be-read books before I buy any more!

The new to me books this week are:

  • Her Fearful Symmetry by Audrey Niffennegger. I’ve previously borrowed a copy from the library but took it back unread. It hadn’t appealed at the time, but when I saw it on a secondhand bookstall selling in aid of the Teenage Cancer Trust I wondered if the time was right to give it another go.
  • The Weather in the Streets by Rosamond Lehmann. This is my local book group choice for May. We chose a romance due to the Royal Wedding this month.
  • Small Island by Andrea Levy – borrowed from a friend because I enjoyed The Long Song so much and she said this one is better.

Then two watercolour painting books to help me paint flowers:

I hope these will help me to paint like this. (Click on image to enlarge it.)

I’ve also recently downloaded these onto my Kindle:

  • Adventures of Pinocchio by Carlo Collodi – because I no longer have a printed version
  • THE COMPLETE FATHER BROWN MYSTERIES COLLECTION by G K Chesterton
  • The Unbearable Bassington by Saki
  • Gently Does It (Inspector George Gently 1) by Alan Hunter

I’m not sure what I’m going to read next, apart from The Weather in the Streets by Rosamond Lehmann, because that’s the May book group book, but they will all be from my to-be-read books.

ABC Wednesday – O is for On the Balcony by Berthe Morisot

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I only ‘discovered’ Berthe Morisot a couple of years ago, but I really like her paintings, especially this one,  On the Balcony, which is of her sister and niece on a balcony in the Passy suburb of Paris, looking out at the city – shown in the distance. It’s a small painting in oil, 1871 – 1872, now held in the Ittleson Collection in New York.

She was one of the French Impressionists and was married to Edouard Manet’s brother, Eugene. Her paintings are often studies of women, either out of doors, as in this one, or in a domestic setting.

An ABC Wednesday post.

ABC Wednesday – M is for Manet

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I love the paintings of Edouard Manet, one of the French Impressionists. It is so hard to pick just one painting to show his work, but I’ve chosen A Bar at the Folies Bergère, which to my mind is just marvellous.

I’ve seen this in the flesh, as it were, at the Courtauld Institute at Somerset House on The Strand in London. It’s a lot smaller than I imagined it would be. It’s an ambiguous painting as some see the barmaid as not just selling her wares but as a prostitute and the man reflected in the mirror as a potential client. It’s also intriguing because it’s difficult to tell if the scene in the background is a mirror reflecting what is in front of the barmaid, but then her reflection is not in the right place, nor are the bottles matched up.

I love all the details and colours of this painting as well as the overall effect. I love the atmosphere it creates , with the barmaid isolated, lost in her own thoughts in a crowded room. She is the still point in a busy, noisy place.

Manet - A Bar at the Folies Bergere

Manet painted this in 1882, oil on canvas.

An ABC Wednesday post.

L is for L S Lowry

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L S Lowry was an English painter well known for his urban paintings of industrial towns like Salford in Lancashire, scenes peopled by his ‘matchstalk men and his matchstalk cats and dogs‘ (I always thought it was ‘Matchstick’ not ‘Matchstalk’, until I checked the song lyrics today!)

What is less well known (at least to me) was that he also painted many scenes of Berwick-upon-Tweed a seaside town he regularly visited from the 1930s until a couple of years before his death in 1976.

There is a Lowry Trail around the town and here are some photos of one of the locations:

This is ‘On the Sands‘, oil on canvas 1959 (click on the photo to enlarge), showing his matchstick figures. The shelter became dilapidated and was restored in 2001. This is how it looks today:

There is actually a little beach behind this scene:

This is my contribution to ABC Wednesday L is for …

Library Loot

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This is a sign that I’m a hopeless bookaholic. Despite listing books I’ve had for ages and still haven’t read – not mentioning all the to-be-read books all around the house – yesterday I went to the library and came home with these books:

  • The Fanatic by James Robertson is historical crime fiction, described on the back cover as ‘an extraordinary history of Scotland: a tale of betrayals, stolen meetings, lost memories, smuggled journeys and disguised identities.‘ I’d enjoyed his second book The Testament of Gideon Mack a few years ago. And how could I resist bringing this book home when I saw it began in Bass Rock, which is just up the coast from us – see my photo here.
  • Stories of the Railway by V L Whitechurch. From the book cover I learnt that V L Whitechurch was a celebrated crime writer and an expert railway enthusiast. He wrote a large number of crime short stories set in the golden age of Britain’s railways – this selection was originally published in 1912 as ‘Thrilling Stories of the the Railway‘. I’d read about him on Martin Edward’s blog and was pleased to find a copy on the library shelves.
  • The Oxford Murders by Guillermo Martinez. I’d read about this book, a mix of murder and maths and wondered whether my elementary grasp of maths would be enough for me to follow the equations  and cryptic symbols involved in solving this mystery.
  • The London Train by Tessa Hadley. There seems to be a theme here in my choice, following on from the Stories of the Railway. In this book, the London train between Wales and London, connects two stories that are interlinked through ‘a single moment concerning two lives stretched between two cities’.

And last but by no means least two books on watercolour painting, because this is now taking up some of my reading time. On Thursdays I go to a local art group and dabble in paint. I mentioned this a while ago on my blog and people asked to see some of my paintings. Here are two I don’t feel too embarrassed to show:

ABC Wednesday – I is for Irises

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Irises by Vincent Van Gogh, 1889

Van Gogh painted Irises after he committed himself to the asylum at Saint Paul-de-Mausole in Saint-Remy, France. He began the painting only one week after he entered the asylum. He was probably influenced by Japanese woodblock prints; the black outlines in Irises is typical of the Japanese prints.

Irises is on the list of the most expensive paintings ever sold, selling for 54 million dollars in 1987.

It’s beautiful.

ABC Wednesday – H is for Hunt

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William Henry Hunt (1790 – 1864) was an English watercolourist. This is one of my favourite paintings - Primroses and Bird’s Nest.


Hunt specialised in still life compositions, mainly fruit, flowers, nests and eggs – he was known as ‘Bird’s Nest’ Hunt. This is one of his bird’s nest paintings, measuring just 7½ inches by 10¾ inches. I saw a variation of this painting at the Royal Academy of Art ofThe Great Age of British Watercolours 1750 – 1880 exhibition several years ago. The catalogue describes Hunt as an outstanding technician. His work was admired by many, including John Ruskin who took lessons from him in 1854 and 1861.

There are a few details about Hunt in The Pre-Raphaelites by Timothy Hilton, including a reproduction of this painting. Amazingly, Hunt said:

I feel really frightened every time I sit down to paint a flower.

I think his paintings are just so beautiful. For more information on Hunt’s method of painting see Craig’s comment below.

See more ABC Wednesday posts.

Teaser Tuesday

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A few weeks ago I started to go to an art club and being a beginner I was full of doubts about my ability to draw.  Even though I’ve enjoyed the sessions, I felt as though I’d been dropped in the deep end with sketching then painting a view of Bamburgh Castle in watercolour. I got the proportions all wrong, but it didn’t look terrible even if it didn’t look like Bamburgh Castle.

So I decided to see what books we have that would help me to improve and found this little book which looks excellent.

It is The Right Way to Draw Landscapes by Mark Linley. He introduces the book by describing it as:

… a complete course for beginner artists who want to learn how to draw landscape pictures. Step-by-step instructions are given for most of the drawings used as examples within these pages. You will start with easy-to-do studies which have been created to boost your self-confidence, and to show you that anyone can learn this skill. If you have never drawn anything except breath, don’t worry. I have ways of teaching you! (page 7)

It seems that thinking success is the secret. We have to think ‘I can’ and we really can:

Where so many people go wrong is that they allow self doubt to interfere. They worry about whether they can draw something, more than how to do so.  If you think you can’t draw a landscape, you will be right; you will fail. This wrong instruction (“I can’t”) will be acted upon by your subconscious mind – your “computer” – just as quickly and as powerfully as when you have “I can” working for you. Unfortunately, many of us seem to be brain-washed to think negatively. Perhaps lack of encouragement during our school-days has resulted in what has become a bad habit. Bad habits can be changed! You just have to know that we all have unlimited potential. (page 10)

So, I shall be testing this out and see just how much I can improve with the help of this little book – I may even post the results!

Teaser Tuesday is a weekly event hosted by MizB where you share ‘teasers’. I’ve adapted it a bit to include more information about the book and longer teasers.

Portrait of an Unknown Woman by Vanora Bennett: Book Review

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I didn’t write about Portrait of an Unknown Woman by Vanora Bennett as soon as I’d finished reading it, which is a pity because I only made a few notes whilst reading and now my memory of it is fading fast. It took me some time to get really involved in the story, which is a mixture of fiction and history. I liked the historical elements very much. The fictional side mixed in quite well but I found some of it a bit too sentimental and somewhat contrived.

It’s the story of Sir Thomas More’s fall from Henry VIII’s favour and that of his adopted daughter Meg Giggs and her love for two men – John Clements, the family’s former tutor, and the painter, Hans Holbein. Bennett puts forward a theory about John Clements’ true identity drawn from an analysis and an interpretation of two paintings by Hans Holbein of the More family and also his painting, The Ambassadors. I was fascinated by this and the detail in the paintings, enhanced by the inclusion in the book of a reproduction of the plan for Holbein’s first portrait of the More Family painted in 1527 -28 and a colour reproduction of  a second portrait of the family attributed to Holbein, even though it is signed ‘Rowlandas Lockey’.

I liked the way Bennett portrayed different aspects of Sir Thomas More’s character; in his early life he was a humanist and friend of Erasmus, later a courtier and Henry VIII’s Catholic chancellor, who persecuted Protestant heretics. This contrasts with his family life, where he is relaxed, generous and gentle and Meg cannot reconcile her knowledge of him as a father with his cruel and fanatical persecution of the heretics.

It combines a love story, art history and historical fiction providing an insight into the Tudor period at a time of great social and religious change.